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Don’t Shame the Reader

All the arguments about what format is best get really old after awhile, In fact, the readers at Smart Bitches, Trashy Books are tired enough of hearing them that they’ve come together to come up with words to describe people who are a little too adamant about any format (here’s a link to SB Sarah’s original post… to see the reader comments, which are fabulous, scroll down past the bit on ebook deals).

And really, the format debate takes attention away from what matters most to those who want to promote literacy and reading for everyone.  Our own philosophy here is that your taste in reading is personal. Our original intent, when we wrote that for the world to see was because we believe that NOBODY should be shamed for reading what they love. You shouldn’t  feel that you have to justify or defend your choice of reading material.

So I just had to share this, mostly because it’s awesome (once again, you’ll have to scroll down).

Really now. Let’s get back to basics. Reading, whatever and however you do it, is the thing that matters.

Cemetery Dance “All You Can Read” Ebook Promotion

Well, this is kind of nifty. We just got an email from Cemetery Dance that they are offering, for a limited time, a “membership” costing $49 that will allow you to read any of their ebooks through the end of 2012- those already published and those coming out this year. If you are a devourer of books, as I am, this could be a pretty good deal! They’re throwing in an unspecified signed limited edition as a bonus (you’ll have to pay shipping on that).

Anyway, it’s the kind of opportunity that gets the ravenous reader inside me all excited. So I thought I’d share it with you.

Interview with Ellen Archer, CEO of Hyperion

Digital Book World just presented an interview with Ellen Archer, the CEO of Hyperion. For those who don’t know, Hyperion is a publisher that is part of  Disney. We’ve received many excellent books for review from Hyperion Teen, including the stellar Generation Dead, and several books they sent us ended up on our  2011 Top Picks list for Young Adults, including Mercy by Rebecca Lim and the Near Witch by Victoria Schwab.

That they sent us these books doesn’t really have anything to do with why I’m sharing this interview with you, though. Here’s the deal: in spite of the fact that Hyperion is not one of the Big Six publishers we hear about and write about so much of the time, it is a reasonably good-sized publisher that puts out some really quality books, and it’s also part of a major media empire. Disney is about a lot more than princesses, and it has an impressive marketing machine. Hyperion, as part of that media empire, has the opportunity to produce transmedia experiences that will really stand out.  I wrote about transmedia over the summer last year (and while I continue to be fascinated by it, I still favor physical books for children, which seems to be true for many parents, even those addicted to ebooks themselves), and I can see from this interview that Archer is headed in this direction (in a much more complex way than I described) from what she says here:

 

Maybe we have to drop “books” from the way we think. I think that’s keeping us from not thinking as big and broadly as we need to.

I have authors come in and I suggest we start with e-books and then have a print companion later on and they say, “what about the ‘book’ book?”

What I see Hyperion as is a producer of great reading experiences in the form that someone enjoys.

I continue to see debates about the value of ebooks vs. physical books. I think it’s pretty clear now that in order for publishers to survive that debate has to be reframed. There are going to be ebooks, physical books, and media of all kinds in play. And it’s not just going to be about how we consume media, but how our experiences of a variety of media bring us together. Have the Big Six publishers recognized this? They seem to be moving tentatively into this sphere, but if other publishers, like Hyperion, move faster, I think we’ll see the structure of the publishing industry change considerably. For those of us who are used to categorizing media into discrete areas (like some librarians and many, many digital immigrants) it won’t be an easy transition. But it’s coming, and, if Archer’s ideas about the future of publishing are on target, it’s coming sooner than we think.