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Book List: The Dangers of Reality Television

People have been fearmongering about the dangers of television for decades. Before television became common in every household, they warned of the effects of comic books and rock and roll. More recently, criticism has been aimed at violent video games, heavy metal, and the Internet. But always there in the middle, media critics have had something to say about television, and usually it’s not good.

But as a culture, we got used to television. Then the same old thing, year after year, got kind of boring, and the question for the networks and the cable channels became “what do we do now?” Because we could record the shows and skip past commercials, television shows had to be edgy, to provide something different that would catch our attention enough to really grab us for long enough to get us to sit through an entire show, every week. And what’s more interesting than peeking into someone else’s life?

Actual reality isn’t all that interesting to watch, and it’s also got some really disgusting moments. Who wants to stare at people watching TV, or clipping their toenails? No, it’s the drama of taking people out of their own reality and making them interact in a completely unreal, compressed, environment that is so fascinating. A show like Survivor is kind of like a nonlethal re-enactment of Lord of the Flies— you watch it knowing every episode will mean the end for one of the characters. Watching The Osbournes gives the viewer a window into a world that’s totally bizarre to the rest of us, but normal for the participants. You know it’s all edited to create a storyline that will fit into a half hour or an hour of television, but it gives you a thrill.  And it gives viewers a window that not only allows them see what’s going on, but to separate from it. It’s kind of like watching the gladiators in the ring at the Coliseum, from the stands. It’s a game, but it’s not.  And that’s what makes reality television the perfect setting for a horror story. Here are seven novels that take advantage of the worst aspects of reality television to create nightmares for their characters. As always, not every book on this list will be appropriate or appreciated by every person, so know your reader!

 

 A Head Full of Ghosts by Paul Tremblay (pre-order)

This book messed with my head. It holds a funhouse mirror up to the creepiness of media manipulation. At the center of the story is Merry. As a child, she witnessed unexplainable and disturbing behaviors from her older sister that became the center of a reality television show, and resulted in family tragedy. The novel itself approaches the story from many angles. Merry as as a young adult, years later; Merry as a child living through the events that changed her life; and a mystery blogger dissecting the show in minute detail all get their say. This was sent to us for review, and is not even out yet, but it falls in the category of “unforgettable” for me.  For the purposes of this list, though,  it succeeds tremendously as a mind-bender that indicts the media, and especially reality television, for altering events, and lives, to fit a predetermined narrative.

 

 The Running Man by Stephen King (writing as Richard Bachman)

The Running Man takes place in a dystopian future where the gap between the haves and the have-nots is so tremendous that the desperate are willing to put themselves in lethal, televised ‘games’ for others’ entertainment. It’s a fast-paced, gripping, terrifying, science fiction thriller. When Stephen King wrote The Running Man in 1982, I am sure he had no idea how prescient the book would be.  At that time 2025 must have seemed endlessly far into the future, and the first reality television show was years away from being created. And yet, as we approach that time, much of what he predicted has become reality– affordable health care still hasn’t made the scene, income inequality has become more and more severe, and people are still bloodthirsty, greedy, and selfish. King created a horrifying world that has become even more so as time marches us forward to his future, set in the year 2025. As a reader’s advisory note, there is also a movie, with Arnold Schwarznegger, and a great media tie-in to one of the lesser-known works of Stephen King.

 

Broken Monsters by Lauren Beukes

A gritty, desolate atmosphere pervades Broken Monsters. While it’s framed as a serial killer novel, it is bizarre from the very beginning, with the discovery of the first body. As you might expect with either a serial killer novel or a horror novel, there’s a fair amount of gore, but it doesn’t overwhelm the story. The plot follows the detective on the case, her daughter, a homeless man, an Internet journalist trying to get his YouTube videos to go viral, and the serial killer. This is a memorable book for me not just because of the storytelling, character development, originality, and atmosphere of the story but also because of the effect the Internet journalist and his videos have on the events of the story. While Beukes is taking a larger look at how social media affects our reality, it’s the journalist’s actions during the climax of events that really struck home with me.

 

 The Hunger Games by Suzanne Collins

For those who have never heard of The Hunger Games, it’s a YA dystopian novel in which a totalitarian government randomly chooses two candidates from each of its districts to participate in a televised competition in which the participants all attempt to kill each other in order to be the last one standing.   The wealthy can slant the competition by providing favorite competitors with gifts. This is media used as not just an opiate, but as a weapon. It’s gripping, suspenseful, and manages to effectively integrate both friendship and love into a very hostile and dangerous situation that most people really do see as a game. It is the first in a series that also includes Catching Fire and Mockingjay. All of the books have been made into movies. In a move that is painfully ironic, the CW is making a reality show based on the book.

 

 Kitty’s House of Horrors by Carrie Vaughn

This paranormal novel is the seventh title in the Kitty Norville series. Talk show radio host and werewolf Kitty Norville agrees to participate in an all-supernatural  reality television show, expecting it to be a typical reality show with a focus on the drama that emerges from forced interpersonal relationships. Anyone who has read Agatha Christie can probably guess what starts happening once the participants arrive in the remote mountain lodge where the show will be filmed. Fans of Kim Harrison may enjoy this one.
 Fragment by Warren Fahy

Scientists on a ship in the South Pacific who are participating in an “educational” reality television show, SeaLife, land on a remote island, only to be attacked by bizarre predators, with the cameras rolling. Is the footage real, or is it a hoax? The U.S.  government doesn’t wait to find out– it blockades the island to prevent the creatures from escaping, Botanist Nell Duckworth, one of the participants on the show, is on the team of scientists that is sent to investigate the giant, ferocious, arthropods that populate the island. Grounded in science, this frightening, fast-paced thriller has been compared to Jurassic Park.

Castaways by Brian Keene

Trigger warning for graphic rape, gore, and violence. There are a lot of horror readers who enjoy having these ratcheted up– and this novel does that. This is Keene’s tribute to the work of Richard Laymon. According to reviews I’ve read, it’s not Keene’s most original work, either in style or content, although it’s well-paced and reasonably suspenseful, so if you are looking for a good introduction to Keene’s work, you might want to try a different book. However, the plot certainly fits our theme: contestants on a Survivor-style reality show, Castaways, are trapped on the island by a storm. The island, originally thought to be deserted, is in fact populated with monstrous cannibals with horrifying plans for the women trapped on the island.

 

 

 

The Hugo Awards and Collection Development

I am a reader and a librarian, and I read all kinds of things, including a lot of science fiction and fantasy. I am not a fannish type, I just really love to read.  I am not a professional genre writer, so I watch genre writers’ organizations like SFWA and HWA from the sidelines, and I haven’t been to a convention in years. The politics of how awards like the Hugo and the Stoker are chosen haven’t been something I have been very focused on. For two years here we reviewed as many of the Stokers as we could, focusing on the quality of the writing. I have to trust that the writers with the opportunity to nominate and vote do that, too.

I haven’t seen much said about the current controversy over the Hugos in the library community, with the exception of a short article in Library Journal, with commentary from their regular columnist describing it (I’m paraphrasing) as a backlash against diversity in winning works. I would say that in the fan and author community a great many people view it this way– as a step back from representing the variety there really can be in genre fiction. If I’m wrong and there’s lots of fabulous writing out there on the effects this has on librarians and readers, tell me, please.

I can’t see how an award like the Hugo could be completely nonpolitical. Most people would like an award, and it’s reasonable for people to promote their own work or books they really like (George R.R. Martin promoted Station Eleven, by Emily St. John Mandel, for instance) However, nominating people to make a point, whatever that point is, does a disservice to librarians and readers, because most librarians choose books for their collections choose popular works already, but they also spend their limited dollars on books that have won prominent literary awards, believing that the awards are legitimate representations of the best of the best in their particular genre. See, here’s the collection development website EarlyWord. Scroll down and look along the right side column. There, under Best Books and Best Sellers is a list of awards. Oh, my goodness, there are so many. Do you think a busy collection development librarian is going to follow the politics of every single award? I think it’s reasonable to say that librarians and readers who DON’T attend WorldCon and DON’T follow the shenanigans of every writerly organization should be able to look at these titles and authors, knowing that they have been awarded because they are legitimately the best representations of the genre, given the criteria for receiving the award. That’s what people think they’re getting, and if they’re going to spend their money and time on a book, then they deserve respect, even if they didn’t shell out $40 to vote.

It makes me happy to learn about an author who has risen to the top because of the excellence of his or her work. But it frustrates me to no end to find that the choices were the result of an ideological battle. A controversy like this destroys a tool that all SF/F writers have available to them to promote their genre and their work.

Book List: 5 Novels of Terror in the Sea

It is all too easy to imagine what terrors there are for us in the deep of the ocean, or adrift on a boat at sea. Some of the creatures that really do exist are scary enough, but horror writers don’t stop with what’s real, because that would be nonfiction. No, instead they magnify our fears by confronting us with giant monsters from the deep, supernatural predators who have us trapped in a boat, and even the things we do to each other in our most desperate moments.

The Monster Librarian used to tell a story about watching Jaws on a field trip for a college class in marine biology, just before a day of scuba diving.  I’m going to suggest that you save these books for rainy days when you’re far away from dangerous waters, but given the sensibilities of the average horror reader, perhaps they’ll turn out to be perfect beach reads.

 

  Jaws by Peter Benchley

The classic novel of deep sea monster terror: killer shark vs. man. Steven Spielberg made it into a blockbuster movie that changed popular culture and brought sharks into the spotlight. I’m not sure that this was the best method to bring about support for shark conservation, but Benchley continues to advocate for the protection of sharks through educating fans of the book.

   Dead Sea by Tim Curran

A cargo ship drifts into the Bermuda Triangle into another dimension, where the travelers must contend with alien and undead creatures.  I hear great things about this book: it was released originally as a limited edition but is now available as an ebook. For just the rest of today it is .99.

   Sadie Walker is Stranded by Madeline Roux

In this post-apocalyptic tale, Sadie, her nephew, and her best friend, escape Seattle with a motley crew of others via boat just as the undead breach the walls. Unfortunately, the zombies can swim. Eventually, stranded on a desert island, they find that not only do they have to contend with zombies, but there is a human monster in their midst. This is a sequel to Allison Hewitt is Trapped, which is a stronger book, I think, and I recommend reading it first, since, while she doesn’t appear in the book, she does have an important role in the development of the plot.

  The Map of The Sky by Felix J. Palma

The Map of the Sky is a sequel to The Map of Time, and is more on the science-fictiony end of things. The Map of Time took place in the Victorian era, around the events of H.G. Wells’ The Time Machine, while The Map of The Sky takes place after the publication of The War of the Worlds. The beginning, which takes place in Antarctica, borrows from the John Campbell novella “Who Goes There?”. An explorer determined to discover the entrance to Symmes’ Hollow Earth leads his ship’s crew into danger after they discover an alien creature that can change its appearance. H.G. Wells and Edgar Allan Poe both make appearances, as do characters from the previous book. There is humor, the supernatural, a surprising love story, and alien horror. While it has been criticized as being less strong than The Map of Time, it is a fascinating and suspenseful read. I have read this one, and I do think it can stand alone, but readers may want to start with The Map of Time. This is also a great way to connect readers to early science fiction such as Wells and Campbell, and to introduce John Carpenter’s The Thing.

     Night of the Crabs by Guy N. Smith

Guy N. Smith’s Crabs novels move at a brisk pace. They sacrifice character development, dialogue, and general common sense in favor of campiness and killer animal mayhem. Night of the Crabs is the first of a series. It starts with mysterious drownings along the coast of Wales… and then, the crabs come out from the depths. Readers who like Smith’s Crabs books will probably also like Clickers by J.F. Gonzalez and Mark Williams, and Crustaceans by William Meikle. Note: It’s best to buy this on Kindle, because physical copies look to be selling for around $250 on Amazon right now.