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Graphic Novel Review: Hellboy in Hell, Library Edition by Mike Mignola, art by Mike Mignola

 

Hellboy in Hell, Library Edition by Mike Mignola, art by Mike Mignola

Dark Horse, 2017

ISBN-13: 978-1-50670-363-3

Available: Hardcover

 

Hellboy in Hell, Library Edition contains storylines originally collected in the trade paperbacks The Descent  and The Death Card, and takes place after The Storm and the Fury.  In the opening chapter, we witness Hellboy’s liberation from an abyss by Sir Edward Gray, followed by a battle with a demon he once defeated, and a Dickensian introduction to Hellboy’s journey through Hell. It is the perfect beginning to the end. We witness Hellboy’s travels: Pandemonium denying his birthright and throne; the creation of his immobile army by the Fisher of Souls (who tells him “there is only one object that can breathe life into that army—your own right hand” p. 49); the birth of Hellboy; uncomfortable family reunions; a battle for the unwanted throne; facing old enemies thought long gone; and, ultimately, fulfilling his destiny to destroy Pandemonium. Shakespeare and Dickens references are scattered throughout, which really helps solidify what is happening at certain points in the story.

Mignola’s art is superb, as usual. The atmosphere and feeling of each chapter, with shadows and oppressive environments, set the tone for the overall book, even when there are brightly rendered scenes such as in Chapter 7, “The Trials of Dr. Hoffman”.

Looking at other reviews for this book, it seems that the consensus is clear: it’s sad to see the end of such a remarkable character, but what a graceful ending it is. I could not think of a better send-off for Hellboy. It still feels too soon for his saga to be over, but there is so much more to the character revealed in this last tome. I can’t go beyond that, lest I spoil the book for potential readers.

Additionally, this volume contains “The Magician and the Snake,” by Katie Mignola (age 7) and Mike Mignola (“much, much older”) and “The Exorcist of Vorsk: A puppet story told in Hell” by Todd and Mike Mignola. The first story in particular is moving in its storytelling simplicity. Also included is Mignola’s sketchbook material. Highly recommended.

 

Reviewed by Lizzy Walker

Posted on April 8, 2018 by , Reply

Book Review: And Her Smile Will Untether the Universe by Gwendolyn Kiste

And Her Smile Will Untether the Universe by Gwendolyn Kiste
Journalstone, 2017
ISBN-13: 978-1945373558
Available: Paperback, Kindle edition

Every once in a while, a new voice emerges and takes the genre by storm. Remember this name: Gwendolyn Kiste will one day rule the world of dark short fiction if there’s any justice in the world of writing. The 14 hallucinogenic stories of And Her Smile Will Untether the Universe hit as hard as a sledgehammer; they are rich, brutally dark, and beautiful.

The stories captivate: each sucks in the reader, letting go only when the last word flows by. The first speaks of a woman who gives birth to birds, and is incredibly dark and endearing. Another describes a test citizens must pass to remain in society: a failure damns them to leaving, but it’s unclear how or why people fail. The story recalls the bleakness of Sarah Pinborough’s The Death House.  A few others recall the magic of what readers, as children, found in the best fairy tales, which most adults have lost the ability to see. These stories, reminiscent of Neil Gaiman’s best retellings of classic tales and mythologies, spin new twists on tired tropes to create something splendid.

Plenty has been written about the final tale, “The Lazurus Bride,” and rightly so. While it’s not the best story in the bunch, Kiste makes its second person point of view work, where most others fail. In the story, Kiste writes to her lover, who may or may not be dead, in a head-twisting wrench of a plot that displays the pain of loving someone– and how sometimes, that love may not be enough.

While praise for new writers is often overdone, that’s not the case here. Kiste seems as fresh as Gaiman, Bradbury, Braunbeck, or Pinborough. Pick this up and be ready for your mind to be turned inside out. Highly recommended.

Reviewed by Dave Simms

Posted on April 7, 2018 by , Reply

Book Review: The Dark North by Martin Dunelind, illustrated by Peter Bergting, Henrik Pettersson, Joakim Ericcson, Magnus Olsson, and Lukas Thelin

The Dark North by Martin Dunelind, art by Peter Bergting, Henrik Pettersson, Joakim Ericsson, Magnus Olsson, and Lukas Thelin; forward by Clive Barker

Dark Horse, 2017

ISBN:  9781506704678

Available: print, Kindle or comiXology ebook

The Dark North is a prose art book that contains five unique stories written by Martin Dunelind,with illustrations showcasing the work of five Scandinavian illustrators and artists. Each of the stories has a different feel and is set in a different time period. Three of the five stories really stood out from the rest: “E18 West,” “Archon,” and “The Daughters of the End.”

“E18 West” is told in 19 short parts, with the narrator telling of her past, present, and future. A road trip in her trusty Oldsmobile leads her to a wraith who has a vendetta against her family. Bergting’s artwork for this piece is perfect for the tone of the story. A few of the panels are represented as photographs in a scrapbook and sketches. The wraith appears in several stages of the road trip before it is even mentioned. The artist also makes use of light and shadow in truly beautiful ways. One of the most effective pieces is an image of the narrator, armed with her shotgun, standing under a streetlight. She is illuminated in the shadows, with a look of defiance on her face. It’s truly beautiful.

“Archon” is set in the distant future. Saul is searching for his wife and child on a planet full of the Clergy’s brainwashing, corruption, and contempt. When he learns the Clergy has used their “indoctrination protocols” on his daughter, his search becomes more pressing, and the hunt for the Architect begins. The artwork for this story is incredibly detailed and fits the story amazingly well. The vast landscapes, futuristic tech, and muted colors all add to the atmosphere of Dunelind’s story. Joakim Ericcson’s art would fit well into the Warhammer 40K universe.

“Daughters of the End” presents a pantheon of sorts. Henrik Pettersson’s beautiful artwork accompanies the short text provided by Martin Dunelind. While the verses are short, they are as powerful as the artwork. The depictions and representations of Wrath and Hunger are particularly impressive.

“The Rest-Red Rooster”  is the story of a man visiting a childhood haunt with his sister; he discovers why their mother never went back after an accident, what hides within himself, and his destiny.  Both this story and the last, “The Way of All Things,” a dark tale of the tragedies of man, are fantastic, with equally great artwork. However, the first three stories are where the bulk of the greatness of this tome lies.

I do hope Dunelind continues to produce this kind of anthology. It’s beautiful and terrifying, with gripping stories worthy of a gallery showroom. Recommended.

Contains: brief nudity

Reviewed by Lizzy Walker

 

Posted on April 2, 2018 by , Reply
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