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Book Review: Grey Skies by William Becker

Grey Skies by William Becker

Publisher: Self-published, June 2019 (pre-order)

ASIN: B07PHGQB8M

Available: Kindle edition

 

Grey Skies by William Becker is the author’s second novel. The main character’s first-person voice narrates the story, but his identity, the story’s location, time, and plot are revealed piecemeal over many chapters.

The narrator suffers through an excruciating series of horrific ordeals. He and the reader know that some parts are unreal. The question is, which parts are dreams or delusions, and which are real?

The narrator finds and buries a nun’s slashed, bloody body; wriggling balls of black spiders cling to doors and walls in his home; he’s trapped in a cramped sub-basement, and crawls and scrapes his way through a stinking underground tunnel to escape; he wades waist-deep through brown, feces-laden sewer water; a giant spider with a human head chases him through a burning house; a stuffed, sackcloth giant stalks him through a doomed cruise ship, listing and powerless in a monstrous storm; he’s drowning in black ocean waters; he finds himself under giant tree roots next to the nun’s rotting corpse.

Throughout these miseries there are mysteries. Who is our narrator? Does he have a family? Why is he being tortured? Who is torturing him? Readers will appreciate the author’s ingenuity in piling on gruesome events and tying them into the mysteries.

The author scattered several paragraphs of nonsense letter, numbers and symbols throughout the novel. These lines of literary graffiti detract from the story. He also appended two unrelated short stories. Recommended.

 

Contains: Gore and violence.

 

Reviewed by Robert D. Yee

 

 

Book Review: The Devil and the Deep edited by Ellen Datlow

The Devil and the Deep: Horror Stories of the Sea edited by Ellen Datlow

Nightshade Books, 2018

ISBN: 978-1-59780-946-7

Availability: Hardcover, paperback, audiobook, Kindle edition

 

On the surface, it seems like a good idea.  A collection of short horror stories with the ocean as a common theme, written by authors with solid track records.  Unfortunately, it fails to live up to its premise.  In terms of story quality, there are roughly four treasures and a few nice baubles, but you have to dig through a lot of sand to find them.

These stories all come in at around 20 pages, so there isn’t a lot of space for character development or backstory, and things often happen for no reason.  That’s part of what makes writing short stories challenging.   But, you still need to create an interesting plot and make sure that each event ties into another, using limited space.  The stories here that qualify as treasure do that very well.  Christopher Golden’s ‘The Curious Allure of the Sea” is a perfect example.  A young woman finds a necklace bearing a unique symbol on her dead father’s boat.  She has it tattooed on her arm, and soon many different living (and sometimes dead) creatures are flocking from everywhere to be with her, and sometimes attack her.  The weirdness escalates, and she is soon forced to make difficult choices to try to save her own life.  This story is a perfect example of how to write an excellent short story.  You never get an explanation for why her dad had the necklace, or what the symbol means, but who cares?  Details like that can be skipped as long as the story makes sense and moves along, and it does.  Golden keeps in just enough to keep the plot rolling, and anything else is cheerfully tossed over the side.  Seanan McGuire’s “Sister, Dearest Sister, Let Me Show You to the Sea,” and Brian Hodge’s “He Sings of Salt and Wormwood” also do an excellent job of getting in fast, blowing the reader away, and getting out without any unnecessary filler.  Michael Marshall Smith’s “Shit Happens” also deserves praise. It’s an excellent story, and written in an off-kilter, hilarious way that reminds me of how Stephen King used to write for some of his oddball characters.  People don’t have sex, they are interested in “activities that would have a bedstead banging against a cabin wall into the small hours.”  Advice on hot sauce consists of  “some of those local brand bad boys will put you in a world of sphincter pain.”   It’s a great horror story, and the author’s hilarious way of narrating it will have you laughing out loud at times.

As for the other stories, a few are decent, but the rest suffer from the same problem: a lack of coherence in the plot.  They aren’t sleek, fast jetboats: they are more like a collection of parts thrown together to get from one harbor to another.  The authors do have some very original ideas and the tales start well, but then they get too metaphysical and abstract, which drags the story down.  Quite often, you will get to the end of a story and find yourself asking “what just happened?” The stories go in a sensible fashion for a while, then wander off the deep end into nonsensical events.  It’s a shame, because many of the stories had promise, but wound up as unrealized ideas, leaving this reader annoyed.

If you have the money to spare, it may be worth picking this one up for the few gems. Otherwise, the reader would probably be best to pass on this one.

Contains:  violence

 

Reviewed by Murray Samuelson

Editor’s note: The Devil and the Deep: Horror Stories of the Sea is on the final ballot for the 2018 Stoker Awards in the category of Superior Achievement in an Anthlogy.

 

Book Review: The Night Weaver (Shadow Grove, Vol. 1) by Monique Snyman

The Night Weaver (Shadow Grove, Vol. 1) by Monique Snyman

Gigi Publishing, 2018

ISBN-13: 978-1643163031

Available: Paperback, Kindle edition

 

Seventeen-year-old Rachel Cleary lives in the isolated community of Shadow Grove (it’s unclear how isolated, or how large, it actually is, as it has suburbs, a trendy downtown, three grocery stores, multiple chain stores, and a rundown nine-story apartment building, but also wooded areas and farms)  next to a mysterious wood that people know better than to explore. Disappearances and strange deaths, especially of children, go without investigation by the sheriff’s department and are apparently unnoticed by the town’s population… except for the local high schoolers, who have organized to protect younger children and impose a curfew, and Rachel’s eccentric neighbor, Mrs. Crenshaw.

Mrs. Crenshaw’s delinquent nephew, a good-looking Scot with an impenetrable accent, happens to be in town. While he and Rachel are driving home from a party, they are attacked by a creature he recognizes from Scottish folklore, a Black Annis (also known as the Night Weaver), which steals and eats children. Although Mrs. Crenshaw tells Rachel the town council has conspired to eliminate all records of past incidents, it turns out that Rachel’s deceased father, a historian who didn’t believe in computers, has boxes of handwritten journals on the history and legends of Shadow Grove that are stored in her attic. They discover a pattern: the disappearances have happened before.

Then Rachel notices that her mother, and a number of other women in town, are behaving oddly: they have all emptied their closets and dressed in gray. She decides to consult her estranged friend Greg, whose family has strong roots in the town, and see if together they can find additional information about the Night Weaver and, possibly, what both of them have been calling the “moms’ club.” Greg realizes the factor all the women have in common is that they participated in the same grief support group, and after Rachel witnesses what appears to be a nighttime visitation to her mother of her father, they discover together that the Night Weaver feeds on grief and despair. Rachel and Greg realize that the Night Weaver is manipulating the members of the “moms’ club” into taking and delivering children to it, in order to have visitations from their deceased loved ones. And then a drug-dealing fairy prince named Orion gets involved, and things start to get REALLY convoluted.

Before I ever started this book, I knew the author, Monique Snyman, was from South Africa, and I was curious to see what she would come up with. Interestingly, she chose to set her book in the United States (I’m guessing Michigan, although she never actually says where it is located). Her premise is original– I hadn’t heard of the Black Annis, and the idea of a creature that plays on the feelings of members of a grief support group is interesting to me (although on a personal level, I have difficulty suspending my disbelief that grieving parents would intentionally cause the same kind of grief to others) I also liked that the high school students were portrayed as independent and resourceful (for the most part). There is also some very impressive full-color artwork representing the Black Annis in different places in the book, which definitely added to the creepiness factor.

However, I also found some real issues with the book. The first noticeable issue was that the book is written in present tense, which is jarring at times, especially at the beginning. The second is Dougal’s nearly impenetrable Scottish accent. I understand this is supposed to reinforce his background, but it really disrupted the flow of the story for me to have to translate in my head before I could move the story forward.

Outside of these two issues, the setting is problematic. Snyman refers to Shadow Grove as an isolated small town– to me, that evokes a setting like Twin Peaks. And the story itself seems intimate. The town has a single law enforcement official (a sheriff) and a relatively small group of people are involved in the actual story– my mental picture was maybe a few thousand at most. But what she is describing is more like a small city, which can’t be terribly isolated if it has multiple grocery and chain stores and most certainly would have federal agents on the ground with so many missing children.

Snyman also seemed to leave her various male supporting characters at loose ends. I like that Rachel is the leading character, and that the supporting male characters aren’t all necessarily love interests, but when Rachel moved on from working with Dougal (whose bad-boy persona dropped pretty quickly) to Greg (who she had a history with) they just kind of stopped whatever it was they were doing until the next time they were needed for a plot point. It’s still sort of unclear to me why Snyman had Greg lead Rachel to Orion and then leave her alone with him.

There were also a few comments and incidents that rubbed me the wrong way. Early in the book, Dougal makes a reference to spoiled American girls and Rachel says. “Well, that’s mildly racist.” I’m surprised an editor didn’t catch that, as “American” is not a race.  Shortly after meeting Rachel, Orion, the drug-dealing fairy prince, pins her up against a wall, against her will, drugs her, and takes her cell phone.  Afterwards, he claims it’s because he needs to do this in order to share essential memories, but starting these two out with a nonconsensual assault made it hard to believe they could be equal partners in defeating the Black Annis.

Despite these problems, I found Rachel’s relationships with Dougal, Greg, and Mrs. Crenshaw interesting enough to want to learn more about these characters. As this is the first book in a series, I expect that Shadow Grove and its denizens will be fleshed out and smoothed over more successfully in future volumes, and it will be interesting to see where Snyman goes with it.

Editor’s note: The Night Weaver is on the final ballot for the 2018 Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.