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Graphic Novel Review: H.P. Lovecraft’s At the Mountains of Madness Volume 1 adaptation and artwork by Gou Tanabe, translation by Zack Davisson

H.P. Lovecraft’s At the Mountains of Madness, The First Volume adaption and artwork by Gou Tanabe, translated by Zack Davisson

Dark Horse, 2019

ISBN13: 978-1506710228

Available: Paperback, Kindle, comiXology

In this Cthulhu mythos tale, an expedition team from Miskatonic University headed by Professor William Dyer travels to Antarctica early in 1931. Lake, a member of the team, becomes increasingly obsessed with discovering the secrets of a rock sample they excavate early in their exploration. He leads a separate team to push forward to find more. They find looming black mountains, seemingly unnaturally formed caverns, and a complete zoological sample of a large creature that resembles a creature described in the famed Necronomicon housed at Miskatonic University. As scientists are wont to do, Lake dissects the specimen. The two camps had been communicating regularly via radio contact, but when Lake stops responding, Dyer and the rest of the team make the trek to Lake’s camp. When they arrive, however, they come across a grisly scene: the crew and sled dogs assigned to the camp are dead, and the bodies are mangled or dissected. The team also finds a star shaped mound of snow near the scene which turns out to contain an inhuman discovery. After recovering the remains of eleven bodies, they find that one of the members of Lake’s camp, Gedney, is missing.

Volume 1 of Gou Tanabe’s manga adaptation of H.P Lovecraft’s novella At the Mountains of Madness is a beautiful and haunting version of this story. Tanabe’s artwork is an interesting and effective balance between the darkness of the caves and confined spaces to vast and breathtaking landscapes. A major difference, which I found to enhance the story, was that it was told from the point of view of both camps. The original was told from the perspective of only the main camp. This, combined with the added dialogue between the camps and artwork depicting the emotional reactions of the characters involved, created more of a sense of fear and foreboding than Lovecraft’s work. I can’t wait to see what Tanabe does with the continuation of this story in Volume 2. I would recommend this title for those who enjoy cosmic horror, manga from the horror genre, or different interpretations of Lovecraft (even those that he clearly based off of other works—in this case, Edgar Allan Poe’s The Narrative of Arthur Gordon Pym of Nantucket). If you are a purist, this probably isn’t for you. Highly recommended.

 

Contains: corpses, dissected human body

 

Reviewed by Lizzy Walker

Graphic Novel Review: Harrow County Volume 2 by Cullen Bunn, illustrated by Tyler Crook, Carla Speed McNeil, Hannah Christensen, and Jenn Manley Lee

Harrow County, Library Edition, Volume 2: Snake Doctor & Family Tree by Cullen Bunn, illustrated by Tyler Crook, Carla Speed McNeil, Hannah Christensen, and Jenn Manley Lee

Dark Horse, 2019

ISBN-13: 978-1506710655

Available: Hardcover, Kindle, comiXology

There is so much happening in this second library edition of Harrow County. Eighteen-year-old witch Emmy Crawford feels alone in the world in terms of her abilities, but a group of strangers appear in Harrow County claiming to be her kin. Emmy learns more about her past, opening more questions for her and the reader. Cullen’s storytelling is brilliant, in that the more we find out about not just Emmy, but her friend Bernice, the more intricate and entwined their stories become. I find myself wondering about the future of these young ladies and what their relationship will look like in the future. Finding out more about Hester Beck has also been intriguing. She is a terrifying figure to be sure, especially since we get more than just a glimpse of what she was capable of.

The reader meets the first of these beings when the skinless boy, Emmy’s familiar, is taunted and hounded by a long haired man, Levi, who kills a bird to play it as he walks along. He talks of pickled pigs’ feet being no substitute for his favourite meat, long pig. Levi coaxes the skinless boy to find his home, discovering what he is and who created him. Clinton and Bernice discover there is another witch in Harrow County after the former’s Uncle Early starts acting strangely after confronting a cottonmouth in the berry bushes. When his uncle ends up missing, Clinton goes to Bernice to help find him out at Old Lady Lovey’s cabin. What she finds out about herself in the process will help protect the people of the county. Emmy ventures to Creech’s County after hearing rumors about a haunted house where the children are hunted by something that wishes to do them harm. She soon discovers there is more to the house than she and the family originally thought. Emmy and Bernice hunt for a lost Clinton in the corn field, only to be attacked by the scarecrows. After Bernice is able to fend them off with the help of a gift from Old Lady Lovey, they come face to face with Levi and a hypnotized young Clinton. They are led to the spot by bloody footprints, who Levi introduces as Mildred. He insists they are related to Emmy, but she is a hard one to convince. When he takes her to meet the rest of her kin, her decision to go with him could mean the destruction of Harrow County.

This library edition collects volumes three and four of Harrow County and includes a sketchbook with notes by Crook, McNeil, and Christenson, essays, and more. The short comics under the title “Tales of Harrow County” written by Tyler Crook with art by David Ruben, the amazing Kate Leth, Kel McDonald, Brian Hurt, Matt Kindt, and Jessica Mahon, are a great addition to the second library edition.

Contains: some blood and gore

Highly recommended

Reviewed by Lizzy Walker

Book Review: The Scary Stories Treasury: Three Books to Chill Your Bones by Alvin Schwartz, illustrated by Stephen Gammell

In honor of Banned Books Week, a review of Alvin Schwartz’s The Scary Stories Treasury, which had a place on the American Library Association’s Top 10 Banned and Challenged Books list from 2000-2009. This review was written about the hardcover edition of the original compilation, with illustrations by Stephen Gammell: it doesn’t appear to be available in hardcover at this time.

 

Scary Stories Treasury; Three Books to Chill Your Bones by Alvin Schwartz, illustrated by Stephen Gammell

HarperCollins Publishers, 2013

ISBN-13: 978-0060263416

Available: New and Used paperback

 

The Scary Stories Treasury contains three popular volumes of “scary stories”, collected from folklore and urban legends by Alvin Schwartz: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, and Scary Stories 3: More Tales to Chill Your Bones. Any librarian who isn’t familiar with the books collected in this volume really needs to check them out. Not only are these titles in high demand for older children and teens, but they are an incredible storytelling resource. In fact, in the introduction to Scary Stories to Tell in the Dark, Schwartz writes that scary stories are “meant to be told”.

 

Scary Stories to Tell in the Dark is the best known of the three books, and is the one I’ve used the most. It both starts and ends with “jump” stories, and these are fun to tell to a group. “The Viper” and “The Ghost with Bloody Fingers” are stories I’ve frequently told. Also included are the poem “A Man Who Lived in Leeds”, the song “Old Woman All Skin and Bone”, “The Hearse Song” and the Halloween game “The Dead Man’s Brains”. Other stories in the book include variants on familiar tales, such as “The Guests”, in which a young couple looking for a place to stay the night learn after the fact that their hosts were ghosts, and urban legends like “The Hook”, in which news that a murderer with a hook for a hand is on the loose spoils a date. Finally, there are some truly creepy and scary tales about ghosts, witches, shapeshifters, and the supernatural. While most of these come from folklore, and can’t be mistaken for anything happening today, they can still give readers, and listeners, the shivers.

 

More Scary Stories to Tell in the Dark has longer stories. Some are set in a specific historical period, such as “The Weird Blue Light”, which takes place during the Civil War. Many of them have sudden endings. In “Something Was Wrong”, we follow a bewildered and frightened John Sullivan around, learning only in the last few words that he is dead. Some folktales have clearly been adapted for a modern audience, such as “The Drum” an ominous contemporary variant of the folktale “The New Mother”. Schwartz doesn’t hold back or moralize when he retells a story. “Wonderful Sausage” is a clever and horrifying tale about a butcher who adds a special ingredient to his sausage. This volume also has a few more contemporary tales, ranging from frightening to tragic, and a description of the creepy sleepover game “A Ghost in the Mirror”. While the stories in this volume are more satisfying in many ways, I’d say these tales are aimed at a slightly older audience.

 

Scary Stories 3 continues with more detailed and sometimes complicated stories. In “Just Delicious”, a twist on the folktale “The Golden Arm”, a terrified wife feeds her husband a dead woman’s liver without his knowledge… and the woman wants it back. “Harold” is a chilling story of a vengeful doll. “The Wolf Girl”, set in a specific time and place, has its basis in the lives of real people, as does “The Trouble”, a story about poltergeist activity in the Lombardo household. “Maybe You Will Remember”, a baffling story about a girl whose sick mother disappears from her hotel, becomes truly horrifying when the reader turns to the notes at the back of the book to solve the puzzle. The volume wraps up with a couple of mildly funny stories. Of the three books, I’d say this is my least favorite, possibly because it is so grounded in detail, as details often distract listeners, making it harder to get them engaged in the story.

 

All three books have detailed notes and bibliographies provided by the author. While you don’t have to read the notes to enjoy the stories (with the exception of “Maybe You Will Remember”) they are easy to understand and interesting. All three books also have incredible illustrations by gifted children’s book illustrator Stephen Gammell, done in just black and white ink. It’s his illustrations that make the books so magnetic to kids… and so terrifying. The illustration for “Wonderful Sausage”, as an example,  brings a whole new grotesque dimension to the story. With just a few strokes and some shading, Gammell ups the scare level considerably. Tormented, skeletal faces, ragged clothes, distorted and indistinct figures, glowing eyes and teeth, empty chairs, empty baskets, empty clothes… it’s enough to cause nightmares, and makes much more impact than if we had only Schwartz’s words. Many collections of scary stories from American folklore don’t include illustrations, or at least not effective ones, and that is probably one of the reasons why more of them aren’t well known. The Scary Stories books, however, are notorious, to the point that the series was seventh on the American Library Association’s list of the most frequently challenged books for 2000-2009, and the illustrations are surely a good part of the reason why these books in particular are noticed.

 

The main benefit of owning The Scary Stories Treasury is that you’ll have all three books in one volume. Each book appears to have been faithfully reproduced, with Gammell’s original illustrations. However, there’s no new or additional material here. Readers who don’t have the books and want them might want to consider this volume, but for those who already own them, there’s no reason to purchase it. I highly recommend that libraries of all kinds have at least one copy of each of the books included in The Scary Stories Treasury, and the Treasury itself might make a nice reference volume, and you’ll find that the Scary Stories books are rarely on the shelves. The Scary Stories Treasury is highly recommended to libraries and readers who do not already own copies of the Scary Stories books, and recommended as a reference volume for school and public libraries. Appropriate, based on maturity of the reader, for grades 4 and up.

 

Contains: Violence, gore, cannibalism, deception, the occult, witchcraft, murder.

Review by Kirsten Kowalewski