Home » Posts tagged "book review" (Page 16)

Women in Horror Month: Book Review: Fractured Tide by Leslie Lutz

cover art for Fractured Tide by Leslie Lutz

Bookshop.comAmazon.com )

Fractured Tide by Leslie Lutz

Blink, 2020

ISBN-13 : 978-0310770107

Available: Hardcover, Kindle edition, audiobook

 

Seventeen-year-old Sia is essential in her mother’s business of chartering trips for tourists wanting to scuba dive. A newbie scuba diver she has been assigned to help navigate a shipwreck is lost, and in her search for him, she senses an underwater threat. When she finds and retrieves her charge, it is too late.  Her mother calls another charter boat, full of high school students, to take Sia, her brother Felix, and the other passengers back.  Just as they’re moving to the second boat, the engines of both boats die, and they are cut off from any radio or cell phone contact, unable to contact the Coast Guard, and running out of water in the middle of the ocean. Then the creature Sia sensed in the shipwreck rises and uses its deadly appendages to sweep everyone over the side and destroy the boats. Sia, Felix and two of the students from the second charter, the only survivors, wash up on a desolate island with almost no food or water, trapped there by the giant sea monster blocking their escape. Sia and the other survivors are pretty well-developed, but not especially likable or cooperative given that if they can’t work together they are probably all going to die.

At first this looked like a straightforward killer animal story, but then it morphed into a survival narrative with science-fictional elements as well (it’s been compared to Lost). Yet there were a lot of things that didn’t make sense for any of those kinds of stories. The creature didn’t discriminate in its destruction of the boats, so it’s odd that the few people Sia has some kind of relationship with (her brother, the boy she thinks is cute, and his ex-girlfriend) are the only survivors. Sia is telling the story in a series of diary entries that she starts writing to her father, who is in prison, in a notebook she discovers shortly after washing up on the island (the story occasionally switches from first to second person as she directly addresses him, which can be confusing) and, in addition to being trapped on the island geographically, and by a killer sea monster, the survivors also seem to be trapped in time. Is this all going on in Sia’s head, or some of it, or is it all really happening? It was confusing, and not at all what I expected.

The parts with the sea creature were terrifying, as were the descriptions of running out of water or getting lost in the dark while scuba diving, and the effects of time repeating on all the characters and their actions took the story into the realm of the bizarre and hallucinatory by the end, but the story didn’t flow naturally– it really was a fractured narrative– and that detracted from my ability to really sink into the story. I’m not sure what I really think of how it worked, but I did love the author’s vivid imagination and description of the thrill and exhiliration Sia felt scuba diving, even in the most dangerous places, under the sea, and the author’s examination of what the thoughts might be of a teen in a tricky family situation with an incarcerated parent. Recommended.

 

Reviewed by Kirsten Kowalewski

 

Women in Horror Month: Book Review: Coralesque and Other Tales to Disturb and Distract by Rebecca Fraser

cover art for Coralesque by Rebecca Fraser

( Bookshop.org | Amazon.com )

Coralesque and Other Tales to Disturb and Distract by Rebecca Fraser

IFWG Publishing Australia, 2021

ISBN-13: 9781925956702

Available: Pre-order: paperback, Kindle edition

 

Coralesque and Other Tales to Disturb and Distract includes 25 stories and poems of Australian horror by Rebecca Fraser, set in the harsh terrain of the Outback, the mysterious depths of the Pacific Ocean, and the wilds of Tasmania. This collection has so many good stories in its pages. I want to write this review about all of them. However, just to give you a sample of what Fraser brings to horror, I will highlight some of the best ones.

In the titular story, “Coralesque,” we meet Brett and Saxon, two surfers who head out for some epic waves after a massive storm. Saxon ends up with a severe head injury. After a trip to the hospital, the wound doesn’t heal and something in the wound starts growing. “Don’t Hate Me ‘Cause I’m Beautiful” is a Bradbury-esque story of a woman wanting the recent model of the iMaid. The problem is the iMaid takes care of the household too well. “Never Falls Far” is a particularly effective tale of the Stockton family who grows the sweetest apples in their orchard. Boys Kyle and Mitchell soon find out why over a campfire tale told by one of the Stockton descendants. In “Casting Nets,” Delice and Tino are in love, but are of two different worlds. Tino, sick of being exiled from Delice, talks with someone who works in hexes about obtaining a means of passage into her family’s well-guarded house without her overbearing father knowing, but discovers too late that the cost is too high. In “The Skylar Solution,” Mayor Regina Carter and her team meet with Verne Hoffman, who has discovered a permanent solution to the “problem” of the increasing homeless population, with an unexpected consequence.

“The Little One” is the longest piece in the book. Sable witnesses the rape of her sister Carmine by the prince of the realm. Carmine later becomes pregnant, which the Queen discovers as he is attempting a second rape. Lizbette, Carmine’s lover, threatens the prince. Sable witnesses the Queen murder Lizbette, then the prince murders Carmine. Sable searches for the Flay Sisters and their witchcraft to enact revenge for the deaths of two of her closest companions. This is an incredibly effective rape revenge story.

This collection makes me want to pick up more work by Fraser. There are so many stories that are short, yet provide some spine tingling, thought-provoking horror. Highly recommended for anyone wanting to read international horror.

Contains: body horror, sexual assault, sexual content

 

Reviewed by Lizzy Walker

Women in Horror Month: Book Review: Dead Blondes and Bad Mothers: Monstrosity, Patriarchy, and the Fear of Female Power

cover art for Dead Blondes and Bad Mothers: Monstrosity, Patriarchy, and the Fear of Female Power by Sady Doyle

Bookshop.org  |  Amazon.com  )

Dead Blondes and Bad Mothers: Monstrosity, Patriarchy, and the Fear of Female Power by Sady Doyle

Melville House Publishing, 2019

ISBN-13 : 978-1612197920

Available: Paperback, Kindle edition, audiobook

Sady Doyle has written a witty, chatty, insightful, and angry book on female monstrosity. Her premise is that women who claim ownership over their voices and bodies are constructed as monsters because they violate the social and biological norms that threaten men’s control over them- they are a threat to the patriarchy. Doyle identifies three key roles women fill in our patriarchal society and divides the book into sections on “daughters”, “wives”, and “mothers”. She has a lot to say about mothers: that section gets twice the number of pages as the other two sections combined.

Doyle has combed through pop culture, history, literature, fairy tales, myths, horror, true crime, sociology, and personal anecdotes to find examples and support for her theories, and when she does a deep dive into a topic (as she did on a number of girls and women, including Annelise Michel, Bridget Cleary, and Augusta Gein), or a critique of The Conjuring, it is fascinating and memorable. However, Doyle jumps around a lot, and it isn’t always clear how things are related.  Her writing flows well, and she does a nice job making it relevant and tying it to recent events.

If you’re looking for an enjoyable feminist take on monstrous women, you’ve found it.

The book includes an annotated list of works cited, endnotes, and an index.

 

Recommended.

Reviewed by Kirsten Kowalewski

 

 

 

 

 

 

 

 

 

 

Sady Doyle’s premise is that female monstrosity is determined by patriarchy, which she describes as a social, cultural, and moral structure that is founded in men’s absolute power and control over at least one woman, generally through instilling fear in them.  Doyle contends that women who claim ownership over their voices and bodies are constructed as monsters because they violate social and biological norms that threaten men’s control over them. She identifies three key roles women fill in our patriarchal society, and devotes a section of her book to “daughters”, one to “wives”, and one to “mothers”. She chooses from a variety of literary, legendary, historical, and pop culture examples and stories to discuss female monsters, both fictional and real, that exist outside society (or are ostracized by society), and the female victims of monsters that the patriarchy requires.