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Book Review: Cradleland of Parasites by Sara Tantlinger

cover art for Cradleland of Parasites by Sara Tantlinger

Cradleland of Parasites by Sara Tantlinger

Rooster Republic, 2020

ISBN-13 : 978-1946335395

Available:  Bookshop.orgAmazon.com )

Sara Tantlinger has infected many horror fans with a burning passion for poetry, not an easy feat, and the exquisite entries into her newest collection are damn impressive.  I first encountered her work in Devil’s Dreamland, a book devoted to the unimaginable horrors of serial killer H.H. Holmes, both his murders and the monstrous, puzzle box house he created to feed the evil within him, and found myself falling back in love with the form.  It is a difficult task to imbue a reader with true dread and wonder for a single poem, let alone an entire collection. Only a few other poets I have read have riled up the beast within me repeatedly, to accomplish that dark grasp into the soul.

Tantlinger has now done it twice.

Readers of Cradleland of Parasites might draw some parallels to Poe’s “Masque of The Red Death” for obvious reasons, or recognize the nihilism of Thomas Ligotti, but Tantlinger delves deep beyond these influences to create a surreal, yet beautiful nightmare in this 104 page part examination, part love letter to the plague. Yet there’s life in these poems that transcends that macabre mindset and raises it to the art form it aims to be. Imagine Kathe Koja, Gwendolyn Kiste, or Catherynne Valente if they dove soul first into poetry. That image may not be adequate but it’s what is painted in my psyche upon slipping from one piece to the next.

The author treats disease as immortal, untouchable, and unbeatable, which in this world, obviously has plenty of merit. The poems that speak to the reader from the point of view of the plague doctors and victims are fierce, yet touching, but it is the ones in which the disease itself speaks its mind and sings its song where the full impact strikes, and pierces the soul.

It’s bittersweet that Sara Tantlinger released this during the pandemic of our times but it might just serve as a talisman of hope for life, or salve for the lingering doom that Covid brings.

That it is a finalist for the Bram Stoker Award speaks to the horror it evokes in readers’ minds. During this tumultous time, it serves as a fitting reminder of our own mortality, both special and irrelevant in the vast cosmos. Highly recommended.

Reviewed by David Simms

 

Editor’s note: Cradleland of Parasites is a nominee on the final ballot for this year’s Bram Stoker Award in the category of Superior Achievement in Poetry. 

 

Book Review: House With One Hundred Doors: And Other Dark Tales by Travis Brown

cover art for House With One Hundred Doors: And Other Dark Tales by Travis Brown

House With One Hundred Doors: And Other Dark Tales by Travis Brown

Velox Books, 2021

ISBN: 979-8596357288

Available: Paperback, Kindle edition Bookshop.org |  Amazon.com )

 

 

This is a collection of horror stories of uneven quality (some are actually just examples of “flash fiction”) featuring both some excellent material and some forgettable work.

The best tale in the volume is, by far,  “Something Walks Whistling”, a superb piece about a mysterious, dangerous whistler walking around at night in a nice, “lucky” neighborhood.

The title story (actually a novella), “House of One Hundred Doors”, starts out as a very engrossing, claustrophobic, angsty piece of fiction , a sort of vivid, collective nightmare. Unfortunately , in my opinion, the second part of the narrative makes it hard to maintain the necessary suspension of disbelief.

“The Mean Thing Which Lives in the Cellar” is an excellent story in which a disquieting, evil presence in the cellar affects the life of a whole family, while “The Graveyard Game” is a vivid tale of graphic horror taking place in a graveyard during Halloween night.

In the insightful, moving “Maria on the Moon”,  the son of a terminal cancer patient fights hard to keep death away from his mother.

The rest of the volume is mostly represented by fillers which do not deserve particular mention.

Brown is an author who, when he is good, is EXTREMELY good. Although this collection was uneven, I am already looking forward to his next book.

 

Contains: Occasional violence and gore

 

Reviewed by Mario Guslandi

 

 

Book Review: Dispossessed by Piper Mejia

Cover image for Dispossessed by Piper Mejia

Dispossessed by Piper Mejia

IFWG Publishing Australia (2021)

ISBN: 978-1-925956-83-2

Available:  Paperback, Kindle edition Bookshop.orgAmazon.com )

 

Dispossessed is a character-driven debut YA novel from New Zealand author Piper Mejia.

With unusual traits and a rapidly changing physical presence, sixteen-year–old foster child Slate is a perpetual loner who is used to rejection. When Malice, a woman claiming to be from social services, picks him up to take him to another home he isn’t surprised. But when she reveals she is taking him to his grandfather in New Zealand, he is introduced to a band of strangers living a nomadic lifestyle, and possibilities for a life he never imagined. There Slate finds a diverse group of people with unique traits and surprising abilities: people who are supposedly his kin.

Like Slate, no one understands Warnner, an institutionalized boy with a history of abandonment. When Warnner finds the community Slate has recently joined, he is intrigued and drawn to the people running it, because of the uncanny traits they appear to share with him. Unlike Slate’s restless distrust, Warnner’s interest in joining is almost immediate, and conflict brews between the two. The community’s world and way of life is soon pitted against a group of fanatics out to hunt, violate, and destroy them, forcing rivalries into the background as tense and tentative cooperation among the dispossessed becomes required for the community’s survival.

At times poignant, this tale is driven by rich cast of characters and a strong sense of place.  Mejia centers otherness and relies on the surreal in this carefully constructed society, using some Māori terminology, but with a minimal presence of the indigenous population. Instead, Mejia addresses marginalization as experienced by this community of outsiders, the dispossessed, and builds an intricate world where misfits find community and individual variances do not impose limits so much as they open doors to alternatives. A vividly imagined YA fantasy about kinship, community, and the differences that make people who they are, Dispossessed may resonate with readers of varied backgrounds who have felt alienated or misunderstood. Recommended for ages 13-18 who enjoyed the work of Daniel José Older’s Shadowshaper and The Stars Never Rise by Rachel Vincent.

 

Contains: violence, torture, violence directed at the dispossessed, a marginalized group.

 

Reviewed by E.F. Schraeder

 

 

 

 

Key words New Zealand. YA. Urban Fantasy. Fantasy.