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Book List: Black Authors of Speculative Fiction

This is not so much a book list as a list that will lead you to books.

 

I like to browse at the library (a pastime, unfortunately, that is on hold for the time being) and have discovered a lot of interesting authors that way. The new books section there is how I discovered Nnedi Okorafor, Rivers Solomon, and C.L. Polk. While I was encountering these authors for the first time, there was also a push for readers to deliberately work on including more diverse writers in their reading material.  Both then and now there’s an argument made that readers should just read what they want, without considering the race of the author.  It is valid to read just what you want to read, or to read the same kind of thing (or the same book) over and over– as Ranganathan says, every reader his book. But why not push your boundaries a little? If what you’re looking for is a good story, there are a lot of good stories you might miss out on if you aren’t deliberately seeking out Black authors. There is frequently a different aesthetic to their books, and the stories can catch you in ways you don’t expect. This difference leads to looking at speculative fiction genres through a new lens. In the case of Black people in the African diaspora, that aesthetic is generally referred to as Afrofuturism, a term first coined by Mark Dery. Nigerian writer Nnedi Okorafor recently differentiated that from the writing of Black Africans, which she identifies as Africanfuturism (you can read about that on her website, which I’ve linked to below, just scroll down to her name). Definitely, not everything Black writers come out with falls into this aesthetic. Considered althogether, Black speculative fiction covers a broad range of approaches to science fiction, fantasy, folkloric, and fluid fiction (a term coined by literary theorist Kinitra Brooks).  If you haven’t tried it,  look up some of these authors. I think you’ll find something you like.

I’m going to note that these are extremely brief and incomplete summaries, and it is a far from complete list. To learn more about these authors and their books click on the links. Enjoy!

 

Steven Barnes (Goodreads):  Barnes writes alternative history, science fiction. horror, nonfiction, sometimes with Tannarive Due or other co-authors.

Tannarive Due (author website) : Due writes horror and nonfiction, sometimes with Steven Barnes. Due is an academic who teaches and writes about Black speculative fiction, particularly horror.

Jewelle Gomez (author website) : Jewelle Gomez is best known as the author of The Gilda Stories, about a black lesbian vampire. She has written poetry, plays, and essays.

N.K. Jemisin (author website): N.K. Jemisin writes Afrofuturistic science fiction and fantasy. Jemisin won three consecutive Hugo awards for Best Novel for the books in her Broken Earth Trilogy.

Walter Mosely (author website): mysteries, science fiction, nonfiction.  Mosely is best known for his Easy Rawlins mystery series but has written in a variety of genres.

Samuel R. Delany (author website): science fiction, LGBTQ+ fiction, nonfiction. Delaney is the first Black person to be recognized as a modern science fiction writer.

Wrath James White (publisher website). interviews at Monster Librarian : extreme horror. Click on these links to see our reviews: Yaccub’s CurseSucculent PreyThe ResurrectionistSacrificeSloppy Seconds,and Vicious Romantic

Sumiko Saulson (author website): horror, graphic novels, nonfiction on black women in horror. In addition to writing fiction, Saulson is the compiler of 100 Black Women in Horror (click here to see our review)and editor of the anthology Black Magic Women: Terrifying Tales by Scary Sisters. 

Octavia Butler (official website of the Octavia Butler Estate): science fiction, alternative history, dystopian fiction Butler was the first recognized black woman author of modern science fiction and an inspiration for many Afrofuturist authors. See our review of her Earthseed Trilogy, which includes Parable of the Sower and Parable of the Talents here.

Tomi Adeyemi (author website) : YA Africanfuturist fantasy. Adeyemi is the bestselling author of the Legacy of Orisha series.

Evan Winter (Goodreads)interview at Tor.com: Africanfuturist epic fantasy.

Nnedi Okorafor (author website), Goodreads: Okorafor is an award-winning Nigerian-American science fiction and fantasy author who defines herself as an Africanfuturist and Africanjujuist (visit her author website for her explanation)

P. Djeli Clark (author website): Clark is an academic who writes nonfiction on Black speculative fiction, as well as a writer of Black speculative fiction, including alternative history, science fiction, and fantasy.

Victor LaValle (author website): Lavalle teaches at Columbia University. He writes horror, science fiction, and fantasy. Lavalle has won the Bram Stoker Award for his novella The Ballad of Black Tom (for our review click here) and the graphic novel Victor Lavalle’s Destroyer (for our review, click here).

Nalo Hopkinson (author website): Born in Jamaica, Nalo Hopkinson describes herself as a writer of fantastical fiction. She’s written nine books, including the award-winning Brown Girl in the Ring. She’s a professor of creative writing at the Univeristy of California Riverside.

Alaya Dawn Johnson (author website): is the author of YA and adult urban fantasy and speculative fiction, including the Andre Norton award-winning Love Is the Drug at the Nebula Awards.

C.L. Polk (author website): C.L. Polk is the author of the Kingston Cycle, a fantasy which takes p;ace in a steampunk-like setting similar to Edwardian England. The first book, Witchmark, won the World Fantasy Award and was nominated for the Lambda, Nebula, Locus, and Aurora awards.

Daniel Jose Older (author website) : Daniel Jose Older’s writing includes historical fantasy for middle-graders, the award winning YA Shadowshaper series, and adult urban fantasy .

C.T. Rwizi: C.T. Rwizi is originally from Zimbabwe and Swaziland, lived in Costa Rica and the United States, and now resides in South Africa. His debut fantasy novel, Scarlet Odyssey, was just released. Read our review here.

L.L. McKinney (author website): McKinney is the author of the YA Nightmare-verse dark fantasy books, beginning with A Blade So Black.

Rivers Solomon (author website): Solomon’s first book, An Unkindness of Ghosts, was a finalist for the Lambda, Tiptree, Locus, and Hurston/Wright awards and won a Firecracker Award. Their novella, The Deep, a collaboration with the musical group Clipping (which includes Daveed Diggs, formerly of Hamilton) is an outstanding work of Black speculative fiction. Read our review here.

Valjeanne Jeffers (Goodreads), (author website): Jeffers is the author of the Immortals series. She has published fantasy, science fiction, and erotica, particularly in Afrofuturist subgenres such as steamfunk and cyberfunk

Justina Ireland (author website): Ireland is the author of the YA alternate history horror novel Dread Nation and its sequel, Deathless Divide. She has also written other YA fantasy novels and writes for the Star Wars franchise.

Nicky Drayden (author website): Drayden writes Afrofuturist science fiction and fantasy.

Andrea Hairston (author website):  Hairston is a playwright, novelist, and professor of theatre and Africana at Smith College. She is a feminist science fiction writer who has published novels, plays, and essays. Her book Redwood and Wildfire won the Tiptree and Carl Brandon Society awards.

Rebecca Roanhorse (author website): Roanhorse is an award-winning speculative fiction writer who has both Ohkay Owingeh Pueblo and African-American heritage. She has written post-apocalyptic urban fantasy and middle-grade fantasy, and writes for the Star Wars franchise.

 

 

Book List: Alternate Choices to Oware Mosaic

It takes a lot of hard work to write a book,  and even more to write one that achieves an award for superior achievement in a literary genre. However, Nzondi’s Oware Mosaic creates a challenge for librarians and educators, as, while it has original elements, its quality does not compare to some of the truly outstanding candidates that appeared on the final ballot.  For those puzzled on what books might be acceptable alternates, I’d like to make some suggestions of books that may appeal to a YA audience that would appreciate elements of the book. These are very different from each other, but I’ve enjoyed them all. Although these aren’t really what I would call horror, they do have some dark elements and several have a significant amount of violence.

 


A Blade So Black (The Nightmare-Verse, Book 1) by L.L. McKinney

This has a really intriguing premise. It’s a twist on Alice in Wonderland, with Alice being the true embodiment of black girl magic, trained by the Hatter to enter Wonderland through a portal and fight back nightmare creatures to prevent them from escaping. It moves from Alice’s life and problems as an ordinary teen to her battles and adventures in Wonderland. Some people have complained that it doesn’t stand alone, but the sequel, A Dream So Dark, is already out.  Although this book is an urban fantasy set in present-day Atlanta instead of a dystopian, near-future Nigeria, as in Oware Mosaic, they both have a risk-taking Black girl living a double life as protagonists, whose family and friends are part of the mix.

Children of Blood and Bone (The Legacy of the Orisha, Book 1) by Tomi Adeyemi

Tomi Adeyemi burst on to the YA scene with acclaim with this epic fantasy grounded in West African mythology. As it’s fantasy I don’t think it necessarily falls into the catgory of Afrofuturism as Oware Mosaic does,  but it has the feel of something fresh and new among old tropes. There is a lot of violence and a pretty overt message about oppression– there is a revolution going on– and a fair amount of magic and mysticism. Again, there is a determined young woman leading the way through the adventure, with strong, complicated family relationships involved.

Slay by Brittney Morris

A chunk of the plot of Oware Mosaic involves the main character’s involvement in an interactive game where her job is to solve real-life crimes.  In Slay, Kiera has created, under an anonymous name,  a multiplayer online game specifically intended to be a safe space for Black gamers, that has become very popular. Working on it and playing it consumes the majority of her time. Then a player uses the game to commit a real-life crime and the game becomes a source of controversy as it falls under scrutiny, not just from the public but from her family, friends, and boyfriend (I’m not sure how teens manage to conceal their crime-fighting and/or secret genius activities with parents in the house and nosy siblings, but I’m willing to run with it). Then one of the game characters attempts to seize control of the game from her…  It’s a gripping story, and it’s great to see Kiera’s growth as a character, and how she discovers who her real friends and supporters are.


Little Brother by Cory Doctorow

Moving in a more science-fictiony direction, technology, surveillance, and corruption have a particular role in Oware Mosaic that appears in many science fiction and dystopian books, and Little Brother, while not as recent as some of the others on this list, is still remarkably timely. It all starts with a game for Marcus (username w1n5t0n), but he and his friends happen to be in the wrong place when a terrorist attack hits San Francisco, and the government comes down hard, establishing a police state. What’s a hacker to do? Doctorow wrote this in response to 9/11, and his politics come across clearly, but if you’re looking for near-future(or maybe recent-past) science-fictiony dystopian writing, you can’t go wrong.

 

Binti by Nnedi Okorafor

This is the first of three short books by Africanfuturist writer Nnedi Okorafor. This is not labeled YA, but the main character is definitely a teenager. Binti is a 16 year old member of the oppressed Himba people, who rarely leave their communities. The Himba are talented mathematicians and builders of astrolables, and some are “harmonizers,” able to use their skills to create harmony between others. Binti’s mathematical skills are extraordinary enough that, against her family’s wishes, she leaves to attend a famous university on another planet, the first of the Himba people to do so. Okorafor portrays the microaggressions against Binti as she travels, so the reader can see the difference in how she is treated compared to others. Tentacled creatures invade the ship Binti is on, killing all other humans and putting Binti at the center of a conflict between the invaders and the residents of the university. Despite much of the story taking place in space, and the short length, Okorafor vividly paints the world and traditions of Binti and the Himba people. This does not fall into the horror genre, but if you have a teen reader looking for something set in an imagined future Africa, as Oware Mosaic is, Binti may fit the bill. There are two sequel novellas: Binti: Home and Binti: The Night Masquerade.

 

 

Book List: Halloween Picture Books

 

 

Before Halloween season is officially over, I’d like to share some Halloween related reviews of children’s books– mostly picture books– from the original Monster Librarian website. They’re now older titles, but especially with children’s books, great ones rarely go out of style. At the bottom is an additional list of titles you might look up for the youngest Halloween lovers that haven’t been reviewed but are also great choices.

 

Los Gatos Black on Halloween by Marisa Montes, illustrated by Yuyi Morales

Henry Holt, 2006

ISBN-13: 978-0805074291

Available: New hardback, paperback, Kindle edition, audiobook

 

In Los Gatos Black on Halloween, Marisa Montes and Yuyi Morales have created an amazing fusion of words and pictures. Montes’ clever bilingual rhymes bounce through an assortment of creepy creatures and eerie happenings, as Morales paints clever and funny images into her truly dark and scary monsters. The chilling zombie child with glowing eyes is a little less frightening when you see the smiley face on his T-shirt, and the toothy wolfman peering nearsightedly through his glasses is almost lovable looking. As Montes’ jaunty words float across the double-spread illustrations, the interplay of story and art keeps the book scary- but leavens it with humor. Readers will want to come back to this book again and again, as every time new details pop out. The humor in Morales’ work may escape younger children, since overall the illustrations are very dark and disturbing, but preschoolers and elementary students in search of “scary books” won’t be disappointed, and they might even learn some Spanish along the way. Younger children may enjoy the brighter, cheerier illustrations in Morales’ Pura Belpre Award winner, Just a Minute. Highly recommended for school and public libraries.

Contains: mentions of the supernatural and the occult.

Reviewed by Kirsten Kowalewski

 


All Hallow’s ABC by Jenni Kaye

Daring Ink Press, 2013

ISBN: 978-0-9884914-1-0

Available: Paperback and Kindle edition

 

There are lots of Halloween alphabet books, but a majority tend toward the cute or use branded characters (or both). While there’s absolutely nothing wrong with cute, the contemporary look of All Hallow’s ABC is a breath of fresh air. Bright and contrasting colors with solid shapes and figures are winners when it comes to getting the attention of young children, and the streamlined,  All Hallow’s ABC will really appeal to parents looking for an attractive, cheerfully menacing, approach to the Halloween season. Jenni Kaye takes an original approach to choosing words to match each letter, as well. D is for Dark, I is for Imagining, U is for Unearthly. Each page gets its own letter and artwork, with the rhyming text and illustrations paired in some rather unusual combinations: P is for Princess has a black skeleton with a crown and a tower, for instance—not the image of a princess most of us normally conjure up;  and T is for Tutu shows a smiling ghost wearing a purple tutu, rather than a ballerina. All Hallow’s ABC, with its clean lines and genuine enthusiasm for the Halloween season is a great choice for parents and kids who celebrate Halloween all through the month of October, tombstones and all.  Highly recommended.

Reviewed by Kirsten Kowalewski

 

Midnight in the Cemetery: A Spooky Search-and-Find Alphabet  by Cheryl Harness, illustrated by  Robin Brickman

Simon & Schuster Children’s Publishing, 1999

ISBN: 0689808739

Available: New and Used

 

Midnight at the Cemetery tells the tale of two children who go to a cemetery in search of buried treasure.  The treasure is guarded by Dead Ed, who summons the spirits of the graveyard to scare the kids away.  The rhyming text is alliterative, with each verse focusing on a specific letter. Each two page spread is dedicated to one or more letters, and readers paying attention will notice many things on the pages associated with the letter that appears in the rhyming verse. For example,  the initial pages, devoted to the letters A and B, reveal angels, ants, bats, and bugs. The illustrations are creepy, unique and fantastic, created solely out of watercolor paper, paint, and glue, The book does have a major flaw, however. The letters are not individually mentioned, as in most alphabet books, and the reader is never told  either that there are items on the pages beginning with the letter or what items to search and find until the last page of the book. Although the publisher’s suggested age range is 5-9, the level of observation required makes the book more appropriate for older elementary students who have mastered Walter Wick and Jean Marzollo’s I Spy books.

Contains: attempted grave robbing.

Reviewed by Kirsten Kowalewski

 


There Was An Old Monster by Rebecca Emberley, illustrated by Ed Emberley

Orchard Books, 2009

ISBN-13: 978-0545101455

Available: New and Used

 

Parents looking for relief from reading the same tired rhyme about the old lady who swallowed a fly are in luck. Rebecca Emberley and her father, Caldecott winner Ed Emberley (author and illustrator of Go Away, Big Green Monster!) have created a colorful monster-themed version for the preschool crowd. Naturally, monsters, unlike old ladies, don’t limit themselves to farm animals. Starting with “There was an old monster who swallowed a tick…” the cumulative rhyme gets more surprising and sillier, as the monster swallows ants (which make a “scritchy-scratch” sound), a bat, a jackal, and so on. There’s also an opportunity to jazz up the physical book. Singer Adrian Emberley, Rebecca’s daughter, has recorded an addictive version with a refrain of “scritchy-scratch” that I’ll warn you does get stuck in your head, and that preschoolers and even older children will want to listen to again and again (listen here, if you dare). Ages 2-8.

Reviewed by Kirsten Kowalewski

 

Sarah’s Little Ghosts by Thierry Robberecht, illustrated by Phillipe Goossens

Clarion Books, 2007

ISBN: 978-0618892105

Available: Used hardcover

 

When Sarah breaks her mother’s necklace, her first instinct is to hide it and pretend nothing is wrong. But as soon as the first lie passes her lips, a little ghost pops out of her mouth and starts chanting the words she really ought to say- “I broke your necklace”! Only Sarah can hear and see the ghost, but its mere presence gets in the way of her relationship with her parents. With each lie, another ghost pops out of her mouth, Soon she’s being chased by a horde of chanting, singing ghosts.

The ghosts in Phillipe Goossens’ illustrations don’t look threatening at all. They’re small, cute, and harmless-looking. Seeing them in a cloud around Sarah, though, it hits home that even little lies add up to a lot of misery. While this isn’t a particularly spooky story, the idea of lies literally catching up with them will give the K-3 crowd the creeps, and the unscary representations of ghosts are likely to cause a few giggles as well. Recommended.

Reviewed by Kirsten Kowalewski

 

Halloween Day by Anne Rockwell, illustrated by Lizzy Rockwell

HarperCollins, 1997

ISBN: 9780064435895

Available: Used hardcover and paperback

 

Anne Rockwell once again presents an accessible text aimed at preschoolers and kindergarteners. The same class that appeared in Show and Tell Day, also a collaboration with her daughter Lizzy, is now preparing for the school Halloween parade. An excited child narrates the story, describing her friends’ costumes and the party afterwards. The illustrations are colorful, with a gentle humor, and complement the text well. This is a good book for first-time trick-or-treaters who may be afraid of costumed characters, and a good preparation for kids who have difficulty with transitions who haven’t participated in a school Halloween parade in the past. I wish I’d had this book at this time last year when my son participated in his first Halloween parade- it would probably have been a lot more fun for everyone involved! While Halloween Day isn’t particularly scary or a compelling page turner, it is a worthwhile title for the children’s section of a public library or a school library media center.

Reviewed by Kirsten Kowalewski

 

Halloween Night by Marjorie Dennis Murray, illustrated by Brandon Dorman

Greenwillow Books, 2008

ISBN: 9780061351860

Available: New and Used

 

“Twas Halloween night, and all through the house/Every creature was stirring, including the mouse”.

So begins one of the stranger variations on “ Twas the Night Before Christmas”, where instead of greeting St. Nick, the residents of a haunted house prepare for their visitors. The illustrations are a dead giveaway that readers should expect a tickle to the funny bone. There’s a significant “gross-out” factor that’s aided considerably by the illustrations- it’s one thing to read about ogres setting up a buffet of live bugs, but the visual impact is another experience entirely. There is a lot to see in the illustrations for those readers who really want to take the time to look. Zombies march through a graveyard that’s barely visible from the foreground of a basement scene; the chairs are decorated with skulls, each with its own expression; a one-eyed jack-o-lantern grins from the corner of a page. But the illustrations are just part of what makes the story work. The truth is that kids rarely get to join in with the monsters to scare the pants off other kids, and it’s just plain fun to be part of the plan and part of the party. The art is digital, and the characters populating the pages seemed to be drawn in a style similar to Pixar’s. In fact, the illustrations scream out “Animate me”! The illustrations aren’t enough on their own, though- the characters need the driving force of a silly, gross, and maybe-a-little-bit-scary story. Halloween Night will probably be most appreciated by kids in grades 2-5. Recommended for elementary school library media centers and public library children’s departments.

Reviewed by Kirsten Kowalewski

 

A Vampire is Coming to Dinner! 10 Rules to Follow by Pamela Jane, illustrated by Pedro Rodriguez

Price Stearn Sloan, 2010

ISBN-13: 978-0843199642

Available: New and used hardcover and paperback

 

A Vampire is Coming to Dinner! is a cute picture book  When a vampire is unexpectedly coming to visit a young boy for dinner, the book consists 10 rules that one must follow when a vampire invites himself to come for a visit.  Each page gives one of the rules and the page then folds out to show a devious little boy in process of breaking the rules, to the dismay of the visiting vampire.  All is well at the end as both child and vampire appear in a surprise popup, having a good old time!  The art is clever, and the mischievous little boy tormenting the vampire by breaking every rule is sure to get giggles out of children as they appreciate the sight gags.

Contains: Rampant rule breaking!

Reviewed by Kirsten Kowalewski

 

AlphaOops: H is for Halloween by Alethea Kontis and illustrated by Bob Kolar

Candlewick, 2010

ISBN-13: 978-0763639662

Available: New and used hardcover

 

In this Halloween-themed AlphaOops story,  the mixed up alphabet is getting ready to celebrate Halloween in traditional AlphaOops style. When the letter A isn’t ready to start the Halloween alphabet,  the letter H gets top billing.  The other letters appear throughout the book representing different creatures and items of Halloween. Kontis includes some alphabet book in-jokes, as when the letter J apologizes to the jack-o-lantern for picking another word, saying “J can’t always be for jack-o-lantern”. Q, always a hard letter to get creative with, successfully breaks the mold, and S and X come up with an imaginative pairing. Unfortunately for the letter B, booted from his early place in the alphabet, other letters keep stealing his costume ideas. The letter P is a pirate, with the same costume as B’s buccaneer; Y’s yeti is identical to B’s Bigfoot.  Readers will cheer (and jump) when B finally gets the last word! The illustrations are fantastic and fun, and the kids will giggle at Bob Kolar’s art and Alethea Kontis’s story.  AlphaOops goes a step beyond the typical letter representing a word in that the letters themselves have been given some personality.  AlphaOops: H is for Halloween has catapulted itself up to a must have for any school library or public library’s children’s section and would make a great addition to any display.    It is a wonderful read for kids who have become acquainted with the alphabet and is engaging enough that parents will enjoy sharing it with their kids. Once Halloween has passed, children and adults who love this book will want to check out the first book in the series, AlphaOops: The Day Z Went First.

Reviewed by Kirsten Kowalewski

 

The Halloween Mouse by Richard Laymon and illustrated by  Alan M. Clark

Cemetery Dance Publications, October,  2001

ISBN: 158767047X

Available: Used, Collectible

 

Timothy Maywood Usher Mouse lives in the library, reading about fantastic adventures. One Halloween night, Timothy gathers his courage to leave the library to go on an adventure.  After escaping a run in with a snake thanks to a piece of candy corn. Timothy dreams of going trick or treating but must first survive an encounter with the neighborhood cat involving a jack-o-lantern. In the end, far away from his cozy home in the library, Timothy discovers that having adventures is even better than reading about them.  Alan Clark’s illustrations are detailed and colorful, and the book is a visual treat. Richard Laymon has created an engaging (if lengthy) story. Although the dialogue is awkward, Laymon’s inventive description and great action sequences will grab the reader. Laymon is writing as much for adults as he is for children: some vocabulary and most literary references will go right over children’s heads, but will add an extra dimension of meaning for the adult reader. A very cute Halloween picture book.  This book could be shared with patient primary grade readers as a read-aloud or with intermediate readers either as a read-aloud or as independent reading.

Reviewed by Dylan Kowalewski

 

Mouse’s First Halloween by Lauren Thompson, illustrated by Buket Erdogan.

Simon & Schuster Books for Young Readers, 2000

ISBN-10: 0689831765

Available: Hardcover, paperback, board book, Kindle edition

 

Mouse’s First Halloween won’t inspire fear, but when you read it aloud, it might make your toddler jump. Thompson offers a suspenseful setup, “Deep in the shadows/Mouse saw something flickering”, then breaks the tension with Mouse’s frightened squeak. Turn the page and the author reveals that the mystery is “not so scary after all”. It’s pretty clear from Mouse’s friendly appearance that this isn’t going to be a book to terrify, but Erdogan uses dark colors and outlines effectively to engage the reader’s imagination about what exactly could be rustling around in the night. Turn the page and even things that might be scary to kids (or mice) are portrayed at their most benign (and cutest). The book ends on a positive note, making it a good choice to share with first-time trick or treaters. Recommended.

Reviewed by Kirsten Kowalewski

 

Plumply, Dumply Pumpkin by Mary Sarfozo, illustrated by Valeria Petrone

Aladdin, 2004

ISBN-13: 9780689871351

Available: New

 

Lumpy, bumpy, showy, glowy, sunny, sumptuous… Mary Sarfozo obviously had fun playing with words when she wrote Plumply, Dumply Pumpkin. The story describes Peter, a joyful tiger, and his search for the perfect pumpkin to carve with his dad and enter into the jack-o-lantern contest. The rhyming is irregular, but instead of disrupting things, it simply keeps the story skipping along. Colorful, well-defined illustrations glow on the pages.   You can’t read Plumply, Dumply Pumpkin without smiling, and preschoolers and early elementary students will love looking at the pictures and hearing this read out loud. Highly recommended.

Reviewed by Kirsten Kowalewski

 

Skeleton Hiccups by Margery Cuyler, illustrated by S.D. Schindler

Aladdin, 2005

ISBN: 1416902767

Available: Hardcover, paperback

 

Chaos ensues when Skeleton wakes up with the hiccups. He tries to go about his everyday activities but with the hiccups rattling his bones, it’s hard to get things done right. Margery Cuyler’s text is very basic, but it is brought to life through witty illustrations and page design. Uncluttered pages with vivid colors pop Skeleton out from the page. Cuyler tells us that Skeleton “brushed his teeth”, but Schindler feeds us the visual punchline, which is that Skeleton’s entire jaw flies off when he hiccups. Of course, none of the traditional methods for getting rid of the hiccups work with a skeleton- the illustrations of Skeleton trying to drink water upside down, eat sugar, and hold his breath are worth a thousand words. There are plenty of “in-jokes” for the observant- Skeleton sleeps in a bed with a headstone for a headboard, wears furry bat slippers, and uses “Ghost White Bone Polish”. The text’s repeated words “hic, hic, hic” jump across the pages unsteadily, complementing the illustrations with strategic placement. Skeleton Hiccups is a true picture book. On its own, adults might find writing falls flat, but the illustrations and design complement Cuyler’s story beautifully, and beginning readers will appreciate her pared down language and repetitive patterns.  The quality of the finished product will engage the youngest readers, and can be enjoyed by their grown-ups, too. Recommended for public library children’s collections and elementary school library media centers.

Reviewed by Kirsten Kowalewski

 

Pumpkin Day, Pumpkin Night by Anne Rockwell, illustrated by Megan Halsey

Walker & Company, 2001

ISBN: 9780802776143

Available: Used hardcover, paperback, board book

 

I admit there is nothing scary about Pumpkin Day, Pumpkin Night. Still, it’s a great book for the Halloween season. With simple words and spare text, and lots of repetition, Anne Rockwell describes the experience of a child exploring a pumpkin patch, choosing a pumpkin, scooping out the insides, and carving a jack-o-lantern with his mother. Older readers may smile, looking back on the days when they roasted and salted pumpkin seeds in the oven (mine were always a little burned). Halsey’s illustrations fit the text well- uncluttered paper sculptures give the pages a three dimensional appearance, so pumpkins really look like they’re piled up, and even cast shadows in places. Clean lines and bright colors make this a perfect choice for sharing this Halloween tradition with a preschooler before venturing out to the pumpkin patch together.

Reviewed by Kirsten Kowalewski

 

What Will You Be For Halloween? by Mark Todd

Houghton Mifflin Company,2001

ISBN-13: 9780618088034

Available: Used hardcover

 

What Will You Be For Halloween? uses short verses accompanied by illustrations to describe a number of traditional Halloween costumes. The book’s strength is the artwork. The bright colors and dark lines do a nice job of making the illustrations pop out from the page. The irregular outlines suggest children at work, carefully drawing their intended costumes. Luckily, the pictures do their work without needing explanation, since the rhythm is uneven and the lines do not fall in a predictable pattern. These flaws make it difficult to read the story aloud, although the illustrations scream out for exactly that. The lack of background information in a book clearly intended for young children is frustrating, as well. How many kindergarteners know what binary code is?  Young children will like the illustrations, but the unpredictable text will throw new readers for a loop.

Reviewed by Kirsten Kowalewski

 

Pumpkin Circle: The Story of a Garden by George Levenson and Shmuel Thaler

Tricycle Press, 2002

ISBN-13: 978-1582460789

Available: New and Used

 

Pumpkin Circle shows the life cycle of a pumpkin, from the time the seed is collected from a pumpkin in the fall,  through its planting and growing, and finally to its harvesting, just in time to carve into Halloween jack-o-lanterns. Brief, simple text accompanies color photographs of children in the garden planting and taking care of the pumpkins as they grow. The candid photos will draw young readers into the story, and there are some good opportunities to talk about gardening, plants, and the life cycle- Pumpkin Circle is about much more than Halloween. Young readers may just love the pictures, though, especially in the last few pages, which show creatively carved jack-o-lanterns glowing in the darkness-a wonderful finish for the life of a pumpkin, as the cycle starts over again. This is a perfect preschool read aloud that can also be enjoyed independently by children in the early elementary grades. It’s not frightening, which makes it a good choice for children who are easily frightened at a time of year where scary stories rule.  Note: Since it focuses on the life cycle of plants, it might be shelved in nonfiction, so librarians should take note to seek it out and promote it with the Halloween books.  Highly recommended for public library children’s collections and elementary school library media centers.

Reviewed by Kirsten Kowalewski

 


Little Goblins Ten by Pamela Jane

HarperCollins, 2011

ISBN: 978-0061767982

Available: New

 

Little Goblins Ten is a delightfully spooky version of the counting rhyme “Over in the Meadow”. Rather than recounting the activities of the ducks, frogs, and other adorable creatures in the original version, Jane has moaning mummies, cackling witches, and rattling skeletons.

Manning’s illustrations are a perfect complement to Jane’s bouncy rhymes and vivid language. Manning does a marvelous job of creating spooky settings, from washed out haunted forests to bilious green swamps. Her monsters are adorably disturbing, and in spite of sharp teeth and (occasionally) crazed expressions, they smile a lot, are a playful bunch, like any little monsters on Halloween.  Kids who scare easily might not make it past the first few pages, which suggest a darker tone, but what starts out seeming creepy ends up being a lot of fun!

Little Goblins Ten provides some great opportunities for interactivity when reading aloud. Kids can have a lot of fun howling with the werewolves, breathing fire with dragons, and swooping like bats. It’s a great choice for a Halloween read-aloud, and for sharing with the same kids who love Goodnight Goon and The Runaway Mummy.  Highly recommended.

Contains: spooky images.

Reviewed by Kirsten Kowalewski

 

Here’s an additional list of titles you might consider for a Halloween collection or display. We’ve reviewed some of these, and you can find those reviews on our original site’s “Scary Books for Kids” page, but some you’ll just have to check out for yourself, which I encourage you to do!
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A Beasty Story by Bill Martin, Jr., illustrated by Steven Kellogg

Bone Soup by Cambria Evans

By the Light of the Halloween Moon by Caroline Stutson and Kevin Hawkes

Cinderella Skeleton by Robert D. San Souci, illustrated by David Catrow

Dorrie’s Magic and others by Patricia Coombs

Goodnight Goon by Michael Rex

H is for Haunted House by Tanya Lee Stone

In a Dark, Dark Room and Other Scary Stories (I Can Read) by Alvin Schwartz

In the Haunted House by Eve Bunting, illustrated by Susan Meddaugh

No More Monsters for Me! (I Can Read) by Peggy Parish, illustrated by Marc Simont

No Zombies Allowed by Matt Novak

Scary, Scary Halloween by Eve Bunting, illustrated by Jan Brett

Tell Me a Scary Story… But Not Too Scary! by Carl Reiner, illustrated by James Bennett

The Ghost of Sifty Sifty Sam by Angela Shelf Medearis, illustrated by Jacqueline Rogers

The Hallo-wiener by Dav Pilkey

The Little Old Lady Who Was Not Afraid of Anything by Linda D. Williams, illustrated by Megan Lloyd

The Runaway Mummy by Michael Rex

The Tailypo: A Ghost Story by Joanna C. Galdone, illustrated by Paul Galdone

This Book is Haunted(I Can Read) by Joanne Rocklin and Joann Adinolf

Dogzilla and Kat Kong by Dav Pilkey (reviewed here)

The Lima Bean Monster by Dan Yaccarino (reviewed here)

The Ghost Eye Tree by Bill Martin and John Archambault

Feliciana Meets d’Loup Garou by Tynia Thommasie and Cat Bowman Smith

Los Gatos Black on Halloween by Marisa Montes and Yuyi Morales (reviewed here)

Just a Minute by Yuyi Morales

I Spy Spooky Night by Walter Wick and Jean Marzollo

A Monster in the House by Elisa Kleven

The Golem by David Wisniewski

The Viper by Lisa Thiesing (reviewed here)

Creepy Cuisine by Lucy Monroe

Fiona Loves the Night by Patricia MacLachlan, Emily MacLachlan Charest, and Amanda

Shepherd

The Aliens Are Coming! by Lisa Thiesing

It’s Halloween! by Jack Prelutsky and Marilyn Hafner

Dragon’s Halloween by Dav Pilkey

By the Light of the Halloween Moon by Carolyn Stutson and Kevin Hawkes

Room on the Broom by Julia Donaldson

Halloween Skyride by Elizabeth Spurr

The Little Old Lady Who Was Not Afraid of Anything by Linda Williams

Creepy Carrots by Aaron Reynolds and Peter Brown

At the Old Haunted House by Helen Ketterman and Nate Wragg

Frankenstein: A Monstrous Parody by Rick Walton and Nathan Hale

When the Clock Strikes on Halloween by Lisa Ferland

Halloween Hustle by Charlotte Gunnufson and Kevin Atterbery

Miss Smith and the Haunted Library by Michael Garland

The Halloween Tree by Susan Montanari and Teresa Martinez

 

Now that you have some books to read we encourage you to share a scare this Halloween!