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Book Review: Mexican Gothic by Silvia Moreno-Garcia

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Mexican Gothic by Silvia Moreno-Garcia

Del Rey, 2020

ISBN: 9780525620785

Available: Hardcover, Paperback, Audiobook, Kindle

 

In 1950’s Mexico, Noemi, a flirtatious, intelligent fashionista, decides her cousin Catalina has been out of touch for too long.  When Noemi receives a disturbing letter from Catalina suggesting that she might want to escape from her new marriage, Noemi packs her gorgeous wardrobe and heads to isolated High Place, the ancestral home of the English Doyles, to investigate.

Ever the realist, skeptical of her cousin’s fairytale princess notions about marriage, Noemi immediately distrusts her suave brother-in-law. She soon realizes that he is evil, and so is his menacing house that has wallpaper “slippery, like a strained muscle” and walls like “sickly organs” with “veins and arteries clogged with secret excesses.” Something is not right at High Place, and Noemi starts to feel its curse invading her mind and body, slowly but surely, just as it has infected her cousin.

What begins as a poetic, gothic fairytale, becomes a wild blend of fantasy, horror, and science-fiction in Mexican Gothic by Silvia Moreno-Garcia. The Doyle men and women have preserved their family line by choosing between “fit and unfit people.” The men wield their power by practicing eugenics through a weird and totally terrifying combination of sexual abuse, drugs, intimidation, and psychological control. The house has an actual heartbeat that is pulsing with mold, fungus and rot, and the creepy family patriarch, an ugly man full of secrets and disgusting tumors, sores, and black bile, is directing and insuring the family’s future from his deathbed. Murders have occurred at High Place, and strange epidemics have killed droves of workers in the family’s silver mine. Once Noemi has the facts, she knows she must fight and use her wits  to survive and save the people she cares about before the evil overcomes them and traps them in a living hell forever.

Although the book seems set in a period later than the 50’s in terms Noemi’s language and sensibility, it still is, in more than one sense, a horror story that reflects the historically violent subjugation of women used as breeders in families and cultures obsessed with lineage and legacy. Religion, status, and seclusion frequently became barriers to freedom for these women by preventing them from making choices about the direction of their own lives. The women of Mexican Gothic cope with horrible suffering and mirror the superhuman strength it took for real women to endure, and sometimes find rare opportunities to escape, the nightmarish situations forced on their gender. Highly Recommended.

Contains: gore, sexual situations, profanity, incest, body horror

 

Reviewed by Nova Hadley

Editor’s note: Mexican Gothic is a nominee on the final ballot for the 2020 Bram Stoker Award for Superior Achievement in a Novel. 

 

Posted on March 1, 2021 by , Reply

Women in Horror Month: Drive, She Said: and Other Stories by Tracie McBride

cover art for Drive, She Said by Tracie McBride

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Drive, She Said and Other Stories by Tracie McBride

IFWG Publishing Australia, 2020

ISBN-13: 9781925956689

Available: Paperback, Kindle

 

This book contains eighteen short stories of horror and dark fantasy written by the author. The tales feature women as protagonists, doomed heroines, and villains. While all the stories in this collection are well executed and well written, a few of them stood out above the others for me.

 

The tale “Breaking Windows” treats possession as a virus transmitted somehow through sight. Treatment is an ocular prosthesis that are programmed with demonic spectrum detectors. Jess’ partner, Leo, opts to get them implanted and he does his best to persuade her to do the same. As the statistics look grimmer, and a pregnancy test comes out positive, Jess must make her choice.

 

In “Ugly”, Janine has a growth on her face that, after treatment, continues to grow…and grow…and grow. This story in particular has some gruesome body horror involved.

 

In “The Changing Tree”, Sten, Liath, and the other boys of age are counting the days until ‘Changing Day’. The priestesses who guard the Changing House don’t allow anyone in the grounds unless they are chosen. All that Sten knows is that the chosen walk in boys and walk out as women. All of the women of the village had the same origin. What unfolds is a touching story of the two friends as they grapple with the changes of identity, gender, and sexuality.

 

Lara and Maxine are sisters who share a dark secret in “Slither and Squeeze”. The story opens on a subway with Lara trying to calm down an old homeless man who is yelling about a snake, disrupting other passengers. After she gets him calmed down, the sisters have a conversation about what to do about the situation. He witnessed the Change, something the sisters can’t abide. However, they are at odds about what to do: kill him or leave him as his words are only the drivel of a deranged old man.

 

In “Life in Miniature”, Michael is picked up by a middle-aged woman, thinking this will be some kind of favours traded for a meal and a shower kind of thing, but discovers too late that she has a more specialized use for him. She has so many realistic dolls in the house, but they do not look quite right around the faces.

 

This is just a small offering that Tracie McBride offers in her book. She has a concise way of writing her short stories that did not leave me wanting more at the end. I don’t want to say she ties everything up nicely at the end. That does not quite fit. It’s more like she provides just enough in each tale for the reader to digest. I will definitely be picking up more of McBride’s work. Recommended.

Contains: blood, body horror, sex

 

Reviewed by Lizzy Walker

Posted on February 3, 2021 by , Reply

Graphic Novel Review: Daphne Byrne by Laura Marks, art by Kelley Jones

Cover art for Daphne Byrne by Kelly Marks

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Daphne Byrne by Laura Marks, art by Kelley Jones

DC Comics, 2020

ISBN-13:

Available: Hardcover, Kindle, comixology

 

Set in 1886 New York, Daphne Byrne is still in mourning over the death of her father and has been affected greatly upon his passing. She’s tormented at school by the popular girls. She’s grappling with her mother who has been seeing a medium who she knows is a fraud. Her mother is spending the little money they have left on trying to contact her dead husband. Daphne tries her best to expose the medium, only to earn the ire of them both. While all of this is going on, Daphne meets a supernatural entity, simply called Brother, who offers friendship and support to the sad girl. He also encourages Daphne to stand up for herself, inviting her to use his powers as a tool. This power becomes particularly useful when she discovers the utter betrayal committed by certain parties close to the family.

 

Daphne Byrne would be of interest to anyone who enjoys stories from this period. Something I noticed in the less favourable reviews out there regarded the setting, which also influenced some of the plot points such as the fraudulent medium. I loved the story and found Daphne to be an interesting character. The artwork helped in this. Jones has been drawing comics for a long time, and I recognized his work immediately from his work on Sandman. He lends an otherworldly quality to creatures and characters. At times Brother reminded me of a sinister Dream. Recommended.

Contains: blood, body horror, nudity, sex

 

Reviewed by Lizzy Walker

Posted on January 30, 2021 by , Reply
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