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Book Review: The Bone Carver (The Night Weaver, Book 2) by Monique Snyman

cover art for The Bone Carver by Monique Snyman

The Bone Carver (The Night Weaver, Book 2) by Monique Snyman

Vesuvian Press, 2020

ISBN-13 : 978-1645480082

Available: Paperback, Kindle edition Bookshop.org   | Amazon.com )

 

The Bone Carver is the sequel to The Night Weaver, a previous Stoker nominee in the YA category. These two factors mean it has a high bar to jump, as the second book in a series usually isn’t able to stand alone.

In The Night Weaver, seventeen-year old Rachel Cleary lives in the isolated New England community of Shadow Grove. She discovers her neighbor across the street, Mrs. Crenshaw, is a guardian protecting the boundary between our world and the fae realm in Shadow Grove. While out with Rachel, Mrs. Crenshaw’s visiting grandson, Dougal, recognizes the Black Annis, a fae creature who feeds on children. With the help of her former boyfriend, Greg, and Dougal, Rachel realizes there is a pattern of children’s disappearances over time that has been covered up by the town council and the sheriff. Complicating this mess is the involvement of a Orion, a drug-dealing fairy prince who has a strange connection with Rachel. She defeats the Night Weaver and saves the children.

The Bone Carver continues Rachel’s story. Reasonably wanting to escape Shadow Grove and go to college, Rachel has studied hard, but unfortunately she has a panic attack during her SATs.  Dougal is now enrolled in school with her, Greg is attempting to make her jealous, Orion has returned to the fae realm, and a creepy new boy, Cam, is following her around. Entering an abandoned part of her high school, she discovers popular girl Mercia, who has epilepsy, having a seizure, and helps her recover. After the seizure is over, Rachel finds a bone carving of Mercia having a seizure.  Later that day, after Mrs. Crenshaw falls and breaks her hip,  Rachel finds another bone carving. Rachel is convinced a “miser fae” called the Bone Carver is causing the accidents. As more people find disturbing bone carvings of themselves, Rachel and Dougal investigate, and find gory evidence of powerful fae magic. They determine that Rachel needs to enter the fae realm to find Orion.

Mercia reveals that she is a witch able to open a dimensional portal to the fae realm, and Rachel goes through, wanders aimlessly, causes a disaster, is kidnapped by Orion’s older brother Nova, the king of the fairies, and finally leaves with Orion to (hopefully) save the day. During her five days in fairyland, things have gotten exponentially worse, with people, including her mother, ending up in the hospital or acting violent or irrational, and the high school in a shambles. Despite her recent desire to flee Shadow Grove, Rachel decides she is willing to die to take the Bone Carver down and save the town.

The Bone Carver is suitably chilling and gruesome and doesn’t stint on body horror. Snyman has a talent for vivid description, as evidenced by Rachel’s visions of the vicious deaths the Bone Carver has inflicted on the girls he’s murdered. The plot around Jenny, Rachel’s mother, was extremely disturbing. There’s a heavy #MeToo, anti-incel message to the book as well, and the scenes between Rachel and Greg, Rachel and Cam, and Rachel and the Bone Carver thoroughly creeped me out.

However, what most impressed me, was the author’s depiction of Mercia. She is a well-developed character: competent, smart, caring, attractive, and popular, and when Greg gets irrational and handsy with Rachel, Mercia has no problem knocking him out. It’s easy to write a character who is living with epilepsy as an invalid or pitiful and in need of rescue, but Mercia is never written that way or treated like one by other characters. Although she comes from a family of witches (and it irritated me that her epilepsy was magically caused) she isn’t effortlessly “magical”, and she isn’t suddenly “cured” at the end of the story. In fact, her seizures aren’t quite under control, and she needs medication to help. As someone living with epilepsy I can tell you that this is a character type I have NEVER seen in any book depicting someone living with epilepsy in any age group or genre, and it was absolutely a pleasure to read this.

Unfortunately, Mercia is one of the few characters that actually did have character development and purpose in the book. Dougal and Mrs. Crenshaw are out of the picture for a majority of the book, Greg is essentially a plot device, and after all the to-do about going to the fae realm and bringing back Orion, I question whether he was useful enough to justify Rachel’s disappearing for five days while everything fell to pieces. There’s a huge reveal at the end of the book, so I assume he’ll be more involved in book three. While a nice addition to the series, though, The Bone Carver really cannot stand alone as a novel, and doesn’t hold together as well as the first book. For its depiction of a character living with epilepsy, however, I highly recommend it.

 

Contains: body horror, gore, violence, sexual assault, mentions of self-harm and suicide.

 

Reviewed by Kirsten Kowalewski

 

Editor’s note: The Bone Carver (Shadow Grove, Vol. #2) is a nominee on the final ballot for the Bram Stoker Award in the category of Superior Achievement in a Young Adult Novel.

 

Book Review: The Apocalypse Strain by Jason Parent

cover art for The Apocalypse Strain by Jason Parent

The Apocalypse Strain by Jason Parent

Flame Tree Press, 2020

ISBN-13: 978-1787583535

Available: Hardcover, paperback, Kindle edition

 

Back in 2014, French scientists made an ancient virus found in Siberian permafrost infectious again after 30,000 years. This real-life event raised the possibility that diseases we thought were long gone might reappear. Add to that a post-pandemic world in which it seems as though science fiction has become real life, yet again, and we have to wonder what the future will hold. Our collective literary imagination will now need to take us to a new level of horror fiction contagion. Who better to infect us than Jason Parent in The Apocalypse Strain?

 

In this exciting and shockingly plausible book, a group of international scientists are under attack at a remote site that will self-destruct in case of an accident. Their human bodies are invaded, consumed, and incorporated into living, moving blobs of squirmy flesh when their research process goes terribly wrong. Within the facility, a woman with MS mysteriously becomes mobile, infected plants grow with abandon, a man marked with a black cross on his forehead seems bent on terrorism, many people die violently, and it becomes very difficult to tell who or what can be trusted. Everyone is focused on containing and exterminating the hybrid monsters, but will some humans escape only to spread doom outside the lab?

 

The action is nonstop in The Apocalypse Strain. With relentless intensity, Parent’s fantastic descriptions of the ever-morphing threat and the horrible deaths suffered by the victims are disgustingly graphic and amazing in their variety. As for the characters, they are not just stereotypes of people in their profession. We get to know the personal histories of some who are lured to destruction by actual, whispering voices from their past. Others are revealed by their fleeting thoughts or visceral reactions to their coworkers, details that are startlingly normal in contrast to the terrible circumstances in which they are trapped.

 

As the apocalypse seems imminent, we realize that this tale is not really the end of anything. If you like speculating about where science can take us and how science can potentially end us, The Apocalypse Strain will give you plenty to ponder. Recommended.

 

Reviewed by Nova Hadley

 

 

 

 

 

Book Review: Chew on This! edited by Robert Essig

Cover art for Chew on This edited by Robert Essig

Chew on This! edited by Robert Essig

Blood Bound Books, 2020

ISBN: 9781940250465

Available: Paperback, Kindle edition  Amazon.com )

 

Chew on This is a themed horror anthology dealing with…food.  Can food actually be horrifying?  Based on this book, the answer is a resounding “yes.”  It combines creativity and gut-wrenching disgust into a brew of good stories.  Fair warning: some of these stories are truly barf-inducing, and sicker than any “splat” style horror writing.   Combinations of food and body fluids (and limbs), babies roasted in ovens: it’s all on the table.  This is a fun batch of horror stories, and also the National Restaurant Association’s worst nightmare.

 

With only a few exceptions, the overall story quality varies from good to very good, and most of them aren’t disgusting, just good, smart stories.  Some of them are “cycle” stories, where the story focuses on one event and then ends, leading into another of the same event.  Chad Lutzke’s “Cherry Red” and Kristopher Trianna’s ‘The Feeding” fall into this category.  One deals with a psychotic kid and his fascination with red cereal box toys, the other with a sandwich delivery service that takes much more than the customer’s money.  Ronald Kelly’s “Grandma’s Favorite Recipe” is Kelly doing what he does best: taking a lovable southern character, in this case the “saintly granny,” and turning her into something more sinister, by way of her cooking.  Vivian Kayley’s “Roly Poly” is notable for its entertaining look at the lengths some unfortunate women will go to for weight loss. It’s also the only story in the book with a happy ending.  Shenoa Carroll-Bradd’s “Barrel Aged” may be the most intriguing story, although it might take a second read to understand, as the author squirrels away the most important details in only a few sentences.

 

If you want to avoid (or read first) the stomach churners, here they are.  They are solid pieces, just gruesome.  Tonia Brown’s “A Woman’s Work” features the aforementioned cooked human baby, and John McNee’s “With a Little Salt and Vinegar” has an eating contest, with dead fetuses on the menu.  Nikki Noir’s “Magick Brew” is a hilarious look at combining a certain reproductive body fluid with margaritas to make a drink that renders the consumer ravenous with lust…to the extreme.  The true pukefest is K. Trap Jones’s “Seeds of Filth”.  With restaurant employees combining any and all types of bodily fluids with condiments and serving them to rude customers, this story is likely to make the average reader upchuck their last meal.  It might be the most revolting story ever committed to paper.

 

Overall, Chew on This is a well-written, creative anthology, it just takes a stomach of iron at times to read the full book.  Recommended.

 

Contains:  violence, profanity, gore, body horror, cannibalism, and everything disgusting you can think of

 

Reviewed by Murray Samuelson