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Book Review: The Little Season by S.C. Mendes

cover art for The Little Season by S.C. Mendes

The Little Season by S.C. Mendes

Blood Bound Books, 2024

ISBN: 9798878808958

Available: Kindle edition

Buy:  Amazon.com

 

You have to give S.C. Mendes credit: in a genre that has some repetitive plotlines, he always comes up with an original one, and this is no exception.  It’s quite imaginative, and trying to figure out how it ends will keep the reader busy till the final pages.  There are enough questions on life in this one that it would actually make for a good choice for a horror book club discussion group.  The book isn’t shallow: it has some good depth to it.  There are some pretty nifty illustrations, too!

 

The protagonist, Jordan Carter, is one of those aimless sorts drifting through life, just hopscotching from one job to the next, with no real clear plan, other than trying to help take care of his ailing mother.  He finds an ad that seems like a godsend– get paid to eat one meal, (sponsored by a company called Talons) give reactions, and pocket $600, with the possibility of further meals.  His problems start with the horrible physical and mental reactions he has to the meal, but the possibility of money is too good to turn down.  It becomes a mystery, with Jordan trying to find out why the food causes such odd reactions.

 

That’s where the story really hits its stride, since there are a few competing ideas as to why the meals cause reactions.  Jordan’s New Age, mystic, neighbor, Michelle, has a theory; the occult doctor in the story has another; and of course, there is the actual reason behind Talons, which the reader will get eventually.  This is a good example of combining a few different ideas into one new one, with parts of all included.  Most people have heard the idea of ‘good karma’ and ‘bad karma’: most people know that everything is made of atoms that vibrate under certain stimuli; and, most people have heard of demons and angels.  What Mendes has done is combine seemingly disparate ideas into one that makes perfect sense for a fiction story, and tied that in to a new definition of what exactly sin is, and why bad things happen in the world.  It’s a good amount of material to ponder over in a 150 page book, and it certainly holds your attention until the end.  Surprisingly, this actually has a sort of happy ending, not something usually found in a Mendes book!  The whole book is a strong contrast in light and shade, in terms of the characters.  None of them are really bad people, but they aren’t saints either.  They are what they seem to be– realistic people, each with there own strengths and flaws.

 

The bottom line is, this is quite good, and won’t bottom you out, like the author’s masterpiece The City did.  For readers of this book: for a bonus, try finding the Easter egg hidden in there referencing Mendes’s fellow author Lucy Leitner.  It’s well hidden, but it’s there.

Recommended.

 

 

Reviewed by Murray Samuelson

 

 

Graphic Novel Review: When I Arrived at the Castle by Emily Carroll

Cover art for When I Arrived at the Castle by Emily Carroll

When I Arrived at the Castle by Emily Carroll

Silver Sprocket, 2024 (previously published by Koyama Press in 2019)

ISBN-13: 9798886200409

Available: Paperback, Kindle edition

Buy:    Bookshop.org | Amazon.com

 

On a dark and stormy night, a cat woman arrives at the mysterious Countess’ castle on an unspoken mission. The Countess mentions that this attractive visitor is not the first to come on this mighty errand. She is offered a warm bath after being out in the rain for so long, for which she accepts, and this is interrupted by loud knocks on the door. The cat woman ventures out to search out her prey, peeking through a keyhole, where she sees the Countess shedding her skin. When the Countess catches her at the door, a violent and erotically driven confrontation happens between the noblewoman and the cat.

 

I appreciate Carroll’s attention to Gothic literature tropes in her sequential art. The structure of the story flows in such a way that the eyes do not have time to rest most of the time. The frenetic pace blends with the reader’s sense of unease as the cat woman explores the castle and is dragged along the halls by the Countess, and when the final battle ensues.

 

Something else I enjoy about Carroll’s work is her use of color, as she uses the most bold selection almost as another character itself. In the case of When I Arrived at the Castle, she uses black, white, and red. The red acts as solid backgrounds, text bubbles, the text itself, outlines of various figures, doors, flooring, skin, blood, and more. Spending a few minutes exploring the red in the pages was an interesting exercise in reading images without words.

 

If you are looking for a standalone Gothic horror graphic novel for your collection, you can’t go wrong with When I Arrived at the Castle. If you have not picked up Carroll’s Through the Woods, I encourage you to do that, as well. Recommended.

 

 

Reviewed by Lizzy Walker

Book Review: A Darker Shade of Noir: New Stories of Body Horror by Women Writers edited by Joyce Carol Oates

Cover art for A Darker Shade of Noir edited by Joyce Carol Oates

 

A Darker Shade of Noir: New Stories of Body Horror by Women Writers

Edited by Joyce Carol Oates

Akashic  Books, 2023

ISBN: 978-1636141343

Available: Hardcover, paperback, Kindle edition

Buy:  Bookshop.orgAmazon.com

 

 

A Darker Shade of Noir: New Stories of Body Horror by Women Writers  disturbs the imagination and makes horror reality. Writers Megan Abbott, Margaret Atwood, Aimee Bender, Tananarive Due, Elizabeth Hand, Cassandra Khaw, Sheila Kohler, Aimee LaBrie, Raven Leilani, Lisa Lim, Joanna Margaret, Valerie Martin, Joyce Carol Oates, Lisa Tuttle, and Yumi Dineen Shiroma offer many strange, twisted stories that attest to the diversity of approaches to the genre.

 

Editor Joyce Carol Oates divides these little masterpieces into three sections: “You’ve Created a Monster,” “Morbid Anatomy,” and “Out of Body, Out of Time.” Aimee Bender’s story “Frank Jones” opens the book with the weird creation of a skin tag doll that should not have been taken to the office. Margaret Atwood delves into female anatomy through a snail who suddenly becomes a woman customer service rep in “Metempsychosis, or The Journey of the Soul.” And then we find a new wife, in ““Sydney” by Sheila Kohler, who finds herself in a shocking sexual situation with a gender-bending robot when she ventures into a part of her home that is designated as off limits by her husband.

 

There are often very surprising developments in these stories. In “Concealed Carry” by Lisa Tuttle, Kelly, fresh from London, finds out that there is a strict moral code in Texas that is enforced in a way she could never imagine.  In “Malena” by Joanna Margaret, Laura, who makes sculptures of women with missing body parts, discovers that the artistic “gift inside her” is also literally inside her. In “Dancing with Mirrors” by Lisa Lim,   a beautiful woman addicted to mirrors hides spectacularly murderous veins..

 

In addition to being entertaining, these writers are not afraid to tackle serious issues. “Dancing” by Tananarive Due and “Breathing Exercise” by Raven Leilani grapple with the impact of racism on the mind, body and soul.. Aimee Labrie in “Gross Anatomy”, and Cassandra Khaw in “Muzzle”, deal with physical violence against women. These are stories that head straight to the heart of the matter without becoming entangled in politics and platitudes.

 

Readers truly benefit from iconic writer Joyce Carol Oates’s expert shaping of this excellent collection of stories. There is not one dull moment in this book, and beginning the next story is like the start of a new and darker adventure.

 

Reviewed by Nova Hadley