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Book Review: Sherlock Holmes and the Servants of Hell by Paul Kane

Sherlock Holmes and the Servants of Hell by Paul Kane

Rebellion/Solaris, 2016

ISBN: 9781781084557

Available: Paperback, Kindle edition

 

Sherlock Holmes and Cenobites sound like a combination that would be truly awful together, but I have to say, Sherlock Holmes and the Servants of Hell blew my assumptions out of the water. With an introduction by Barbie Wilde, I was put at ease.

The book opens with a man solving the Lament Configuration. That man is Sherlock Holmes.

It’s 1895. Moriarty is declared dead, and Holmes miraculously survives the tumble off the cliff in his final adventure. Holmes and Watson are engaged by Laurence and Juliet Cotton, newlyweds with a strained relationship, to investigate the disappearance of Laurence’s brother, Francis. Their investigation leads them to look into a series of unusual missing persons’ cases, in which the missing parties vanish in impossible ways. One man disappears from a locked room, the only traces left behind being the faint scent of vanilla.

This is just the beginning of an investigation that will draw the pair into contact with an organization whispered about and known only as ‘The Order of the Gash.’ Clues lead the sleuth and the doctor to an underground club that services the most depraved of the upper crust of society, a sinister asylum in France, and the underworld of London. They encounter shady operators, meet old acquaintances in the strangest of circumstances, enter a world of depravity and pain, and make dangerous associates—the Cenobites, from hell.

Kane, previously editor of the tribute anthology Hellbound Hearts, clearly has a familiarity with and love of the Hellraiser universe. In this book, in addition to new Cenobites, Kane includes storylines and characters from Barker’s novella The Hellbound Heart, as well as the Hellraiser films.  I was pleasantly surprised to also find an authentic Holmes feel and pacing that shows a familiarity with the characters and style of Holmes’ stories. Kane was able to keep with the atmosphere and period sensibilities of Sir Arthur Conan Doyle’s style while still creating the feel of Clive Barker’s world of Cenobites–  and he makes it work. Recommended. Reader’s advisory note: Fans of both Sherlock Holmes and Hellraiser should enjoy this. Other horror/Holmes crossover titles include Sherlock Holmes: The London Terrors and others by William Meikle, and Gaslight Arcanum, edited by Kim Newman and Kevin Cockle.

Contains: mentions of body horror, allusions to sexual activity and gore

Reviewed by Lizzy Walker


Posted on August 31, 2016 by , Reply

Book Review: Voices of the Damned by Barbie Wilde

Voices of the Damned by Barbie Wilde
Short,Scary Tales Publications, 2015
ISBN-13: 978-1909640351
Available: Hardcover (new and used), Kindle edition
Inside these covers are eleven slices of hell from the mind of a new visionary of horror. Barbie Wilde appears to have vacationed in Dante’s creation and taken terror a couple of steps further.

Voices of the Damned, Wilde’s first collection of short stories, picks up where The Venus Complex, the author’s excellent debut crime novel, left off.   First off, this is a gorgeous book. The cover art, by none other than Clive Barker, sets the tone for a book written by a Cenobite herself.  Introducing each story is an exquisitely disturbing full-size image by artists including Barker, Nick Percival, Steve McGinnis, Danele Serra, Eric Gross, Tara Bush, Vincent Sammy, and Ben Baldwin.

The collection kicks off with “Sister Cilice,” the tale of how a nun falls from grace, first seen in Hellbound Hearts, the tribute anthology based on Barker’s “Hellraiser” world. Wilde continues the story with “The Cicilium Pandoric” and “The Cicilium Rebellion”, creating a full trilogy that explores the existence of the Cenobite she portrayed in Hellraiser II. Other highlights in this collection include “Zulu Zombies” and “American Mutant”. These epitomize Wilde’s style and vision.

A Barbie Wilde story can be filled with as much eroticism as it is with horror, and this collection shows her skill at interweaving them. Her writing exhibits unbridled brutality and fresh honesty in characterizations, never shying away from the grotesque or weird.  Inhibitions are nowhere to be found here, which is a very good thing. This writer becomes darker and bolder by the story. One can only wonder where her imagination will head next. It will likely be a nightmare many will embrace for years to come. Highly recommended.

Reviewed by Dave Simms
Posted on November 30, 2015 by , Reply

Women in Horror Fiction: Barbie Wilde

Image of Barbie WildeThe horror genre actually has the capability of being a welcoming place for women, because it offers opportunities for participation in a variety of approaches to the genre. Barbie Wilde is an example of a woman who has successfully transitioned from acting to writing, with her role as the Female Cenobite in Hellbound: Hellraiser II leading to the publication of her short story “Sister Cilice” in Hellbound Hearts, an anthology themed around the Hellraiser mythology created by Clive Barker, on which the movie franchise is based. Barbie has since published short stories in a variety of anthologies and recently came out with a book, The Venus Complex, which we reviewed here. It’s great to see the horror genre lifting up women in the horror community so that they can take advantage of all it has to offer, and I can only hope that not only continues, but becomes much more common.

 

1. Can you give our readers a brief introduction?

My name is Barbie Wilde. As an actress, I’m best known for playing the Female Cenobite in Clive Barker’s cult horror movie, Hellbound: Hellraiser II. I’ve also appeared in Death Wish 3, Grizzly II: The Concert (along with then unknowns George Clooney, Charlie Sheen and Laura Dern) and numerous TV shows in the UK as either an actress, a mime artist or a host-presenter.

So far, I’ve written eight short horror stories published in eight different anthologies, as well as my debut dark crime-real life horror novel,The Venus Complex. Fangoria magazine has called me “one of the finest purveyors of erotically charged horror around.” (My mother would’ve been so proud, I’m sure!)

 

2. Why do you write horror?  What draws you to the genre?

I didn’t actually start out as a horror writer. I was always more interested in crime, particularly the psychology of the scariest monster on the planet: man.

Then Paul Kane (who interviewed me for his book, The Hellraiser Films and Their Legacy) asked me to contribute to an anthology that he was editing with Marie O’Regan called Hellbound Hearts. All the stories in the antho had to be based on Clive Barker’s mythology that he created for his novel, The Hellbound Heart, which the Hellraiser film franchise is based on.

When Paul contacted me about writing a horror story, I was initially reluctant, as I didn’t think I could write horror. However, two weeks later, I finished my first horror story, “Sister Cilice”, about the making of a female cenobite. I’m actually planning a Cilicium Trilogy and the second part, “The Cilicium Pandoric”, is appearing in Fangoria’s Gorezone #30.

So quite a few horror stories down the line, why am I drawn to the genre? I think that there is a great leeway for your imagination to take flight in horror. You can use all sorts of mythological, literary and historical research and then turn these sources into something (hopefully) unique. Also, I was very influenced and disturbed by horror and science fiction movies when I was a kid and they made their mark on me, fueling all sorts of uneasy and paranoid fantasies. Movies like The Thing From Another World (1951), Invaders from Mars (1953), Psycho (1960), The Innocents (1961) and The Haunting (1963) made a big impression on me. And of course, TV shows like The Twilight Zone, The Outer Limits, One Step Beyond, Dark Shadows and Night Gallery were also very influential.

 

3. Can you describe your writing style or the tone you prefer to set for your stories?

I like to keep things as simple as possible– I love spare and muscular writing. [See influences below.] There is a strong erotic thread through my stories, which I’d like to think is more sensual than romantic. Also, even when I’m writing about the most horrific crimes and events, there is always a sense of humour in there somewhere.

 

4. Who are some of your influences?  Are there any women authors who have particularly inspired you to write?

Influences: Rod Serling, Raymond Chandler, Dashiell Hammett, Hemingway, Clive Barker, Colin Wilson (for his crime non-fiction, like The Criminal History of Mankind and The Order of the Assassins).
Influential women authors: Patricia Highsmith, Shirley Jackson and Margaret Atwood. I’m also inspired by writer-directors such as The Soska Twins, Jovanka Vuckovic, Mary Harron, Kathryn Bigelow and Ida Lupino.

 

5. What authors do you like to read?  Any recommendations?

All of the above authors, as well as Paul Kane. I just finished his latest compelling novella Rainbow Man and really enjoyed it. Other Kane books that I can recommend are The Gemini Factor and Red. All of Paul’s books are written so beautifully and so descriptively that you can just imagine movies been adapted from them. I also love the work of John Skipp and Craig Spector. Their novel, Light at the End, was a very cool and unusual take on the vampire genre.

My top pick of 2013 was the evocative and brilliant written Whitstable by Stephen Volk. The main character of the novella is Peter Cushing and it’s almost spooky how Stephen has channeled Cushing as a character in the story.

 

6. Where can readers find your work?

You can buy The Venus Complex as a paperback and Kindle on all the Amazons, as well as Barnes & Noble (online only). All the short stories that I’ve written are available in the following anthologies on Amazon. Most are published as both paperback and Kindle:
“Sister Cilice” (Hellbound Hearts)
“Uranophophia” (Phobophobia)
“American Mutant: Hands of Dominion” (Mutation Nation)
“Polyp” (The Mammoth Book of Body Horror and as a reprint for The Unspoken)
“A is for Alpdruck” (Demonologia Biblica)
“Z is for Zulu Zombies” (Bestiarum Vocabulum and as a reprint for Gorezone #29)
The following stories will be available soon:
“The Cilicium Pandoric” (Gorezone #30)
“Botophobia” (Phobophobias)

 

7. Is there anything else you’d like to share with librarians and readers?

If your readers would like to read more news, reviews and interviews, then please go to:
www.barbiewilde.com
Follow me on Twitter at: @barbiewilde
Facebook: www.facebook.com/barbie.wilde
Facebook Author-Actress Page: www.facebook.com/BarbieWildeAuthorActress

I’ve got some interesting writing projects and appearances coming up in the future, so please keep an eye out for news on either Facebook or my website.

 

Interested in learning more? Visit Barbie Wilde’s Amazon page, her website, her Facebook page, or her Author-Actress Facebook page, or follow her on Twitter at @barbiewilde.

Posted on February 24, 2014 by , Reply