art books | Musings of the Monster Librarian

Kickstarter for “It’s All In Your Head” Art Book Illustrates Mental Health Disorders As Monsters

This sounds very cool. The Kickstarter is still going. You can learn more about it below.

FOR IMMEDIATE RELEASE

‘IT’S ALL IN YOUR HEAD’ BRINGS VISIBILITY TO INTERNAL STRUGGLES
Coss compiles viral illustrations into an in-depth exploration of the mind

AKRON, Ohio – From the creative mind behind Any Means Necessary Clothing and the haunting stories and illustrations of “Kindergarten” comes a new project focused on the dark recesses of the mind.

“It’s All In Your Head” is a compilation of 85 illustrations by Shawn Coss that explore mental health issues and phobias, made famous during the annual Inktober Initiative over the past two years. What began as a simple collection of themed artwork soon turned into a viral sensation.

In 2016, Coss chose mental health disorders as his theme for Inktober, a month-long challenge founded by Jake Parker where artists create an ink drawing each day of October. While many artists work off a set list of prompts, Coss wanted to use this as an opportunity to really study a topic in-depth.

“Given my interest in the human condition and the demand from my fans to tackle mental health, I wanted to take on the various disorders in my own style,” Coss said. “I was intrigued, not only as an artist who suffers from depression, but also a medical professional. I wanted to portray the behaviors and symptoms as monsters that plague us.”

By giving the disorders themselves humanoid form, Coss was able to bring structure to abstract feelings in a whole new way. The response from fans was instantaneous. The art was shared 15,000 times, with more than 600,000 views. It got the attention of many major outlets, such as Buzzfeed, Huffington Post, The Mighty, BoredPanda, The Quint, and Bento.

Creating this level of awareness is really at the heart of the intention of the artwork.

“It was never about capturing every symptom of each issue in one piece of art,” Coss explained. “No one person shares the same symptoms or severity, and it would’ve been foolish of me to attempt to do so. It was about raising awareness, starting a conversation, and letting people know that the way they felt inside was real and valid. People really responded to that.”

In 2017, Coss set his sights on phobias, unlocking a whole new realm of struggles and touching on real experiences of fans across the globe. His art grabbed the attention once again of major media outlets, such as The Quint and BoredPanda.

In a follow-up to the wildly popular Kickstarter campaign for his short story and illustration book “Kindergarten,” Coss is launching another Kickstarter to publish all of his mental health and phobia artwork into one volume. The 180-page book, titled “It’s All in Your Head” will also include the medical insight and personal reflections that inspired each piece of art.

“I’m excited to finally be able to open up about my own mental health battles and connect with those who struggle every day,” Coss said. “I’m blown away by all of the responses from people who have told me how my artwork has helped them. I hope this book will continue to help others and continue the conversation on mental health.”

The Kickstarter campaign is running Feb. 20 – March 22, 2018, with copies of the book, artwork, and other special incentives for donors. For more information or to donate, visit http://kck.st/2sD0rI6.

ABOUT THE ARTIST
Shawn Coss is an Ohio based artist who’s been chasing his dream to being an “entreprenartist” for the past 9 years. He’s co-owner of Any Means Necessary clothing, creator of the Inktober Illness Series, and got his start into the craziness of professional art while working (and currently) with Cyanide and Happiness. He’s also achieved his dream gig of working with Stephen King on the movie Cell as a prop design artist, as well as create the album art for bands such as Seether, Cage, and Sadistik. He refuses to leave Ohio because he doesn’t know any better.

http://www.shawncossart.com
http://www.amnclothing.com
https://www.facebook.com/ShawnCossArtist/
https://instagram.com/ShawnCoss
http://www.explosm.net

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Book Review: The Singing Bones by Shaun Tan

The Singing Bones by Shaun Tan
Arthur A. Levine Books, 2016
ISBN-13: 978-0545946124
Available: Hardcover

My most memorable previous experience of Shaun Tan’s work was the surrealist graphic novel The Arrival; a touching, wordless tale of an immigrant arriving in an unfamiliar place. The art and story together have a powerful impact in showing the universality of what it means to be a stranger arriving in a strange land, using unique images to communicate what words are unable to. The Singing Bones is completely different, but it also expresses universality using images with a powerful visual impact.

The Singing Bones has an introduction by author Neil Gaiman and a foreword by fairy tale scholar Jack Zipes, clues that the reader is in for a fascinating tour of the Grimm brothers’ tales. Tan pairs snippets from stories by the Grimm brothers with photographs of minimalist sculptures based on the stories. The sculptures were influenced by the styles used by Inuit and Pre-Columbian people. and are mainly made out of paper mache, found objects, and clay, primarily in red, black, and white. Each is presented in a double-paged spread, with the story snippet on the otherwise blank left hand page and the photograph of the sculpture it inspired on the right. The lines and curves in the sculptures are clean and uncluttered. Some sculptures represent the story fully– the one devoted to “Rapunzel” could be a tower, or a girl, or both. Others show a single moment– the one for “The Frog King” depicts the frog’s head poking out of circular ripples at the moment just before he would have spoken to the princess. The first look is not enough; while the sculptures may seem simple, reading the snippets and spending time looking at the photographs of the sculptures reveals that there is a lot to see in what might seem like uncomplicated objects. Be advised that these are not Disneyfied stories; Tan includes the story “Mother Trudy”, which has a very unpleasant ending for the child protagonist. There’s a very primal, visceral feel to the experience of going through these pages. The photographic spreads are followed by an explanation by Tan of the process used, and then by an index that fully summarizes the Grimm’s tale associated with each sculpture.

I discovered this book in the children’s section of my library, and I’m not sure it belongs there. As an art book and an exploration of Grimm’s tales, it is outstanding, but in a very nontraditional way, and I think many adults would really enjoy it. However, while my nine year old was enchanted by it, it also gave her nightmares, and required considerable discussion and research as a follow-up. It was a good experience for us together, but would have been difficult for her on her own. I can highly recommend it for elementary-aged and middle school children with an adult as a read-and-share title, and as a stand-alone title for ages 14 and older.