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It’s Women in Horror Month!

Yes, it’s that time of year again– Women in Horror Month is here! It’s too bad that it takes a special month for horror lovers and makers who are women to be brought up into the light, but that really does seem to be what it takes. While there are a lot of great women writers of horror, very few of them are well known, so this month we’re going to spotlight some of them. I’ll be bringing up some of the older posts we’ve done on some of the great women we have interviewed or had as guest bloggers previously,  sharing some information about writers of the past, suggesting links on women writers that might be of interest, and publishing interviews with some of the wonderful women writers of horror out there who mainstream readers and librarians may not be familiar with. We are working on putting together an index of women horror writers, but that is a BIG project, so whether that will be done by the end of the month I don’t know.

So here’s the thing. Spotlighting women writers in horror doesn’t mean I think you should read or recommend a book JUST because it’s by a woman. But by not knowing about the work of these women writers, you miss out on some really, really good storytelling. The immediate name that comes up when someone says “women writers of horror” is almost always Mary Shelley, followed by Anne Rice and maybe Shirley Jackson. Even in the Reader’s Advisory Guide to Horror Fiction, Becky Spratford mentions very few women authors outside a short section identifiying five excellent contemporary women writers.(Lisa Morton, Alexandra Sokoloff, Sarah Langan, Sarah Pinborough, and Caitlin Kiernan, as I recall) But there are so many more great books out there that are just MISSED, and I hope that this month we’ll be able to bring some of those to your attention!

Here’s a link to the WiHM Facebook page, which is collecting together posts from a variety of participating sites. And here’s a link to their tumblr– they are collecting donations right now as well. Also check out Becky’s blog, RA for Horror, this month. I know she’s got some great things coming up!

 

Enjoy!

Posted on February 1, 2014 by , 2 comments

Guest Post by Paula Cappa: The Literary Ladies of Horror’s Haunted Mountain

It may not be February, but October is just as good a time (if not a better one) to recognize women in horror, especially women writers. Paula Cappa, author of the supernatural novels The Dazzling Darkness and Night Sea Journey (both reviewed here), gives us her take on women writers in the genre from the beginnings of their journey until the present day. Love quiet horror? Visit her blog to discover what classic story she’s presenting as her Tuesday Tale of Terror. Really. It’s awesome.

Want another take on women writers in the horror genre? Check out this post by Colleen Wanglund, which includes a fantastic list of contemporary women writers and recommended titles.

The Literary Ladies of Horror’s Haunted Mountain

By Paula Cappa

If there is ever a time to hear a night-shriek, it is October, a month that welcomes readers to the dark mountain of the horror genre. Listen to the hallowed voices, their devouring muscular growls and hot stinging hisses. Canadian writer Margaret Atwood, author of MaddAddam, says “Some may look skeptically at ‘horror’ as a subliterary genre, but in fact, horror is one of the most literary of all forms.”

The literary ladies at the summit are as ghoul-haunted as the gentlemen claiming Haunted Mountain as their territory with their persistent footprints and pulsing voices. Their names are familiar: Poe, Hoffman, James, Blackwood, LeFanu, Lovecraft, Stoker, King, Koontz, Herbert, Straub, Saul, Strieber, Bradbury, Barker, Campbell– the list goes on.

With women so under-represented, one would think the only woman writing horror in the early years was Mary Shelley, setting up ropes and spikes, blazing a wide path up horror’s haunted mountain with Frankenstein in 1818. But look closely at the mountain, and you’ll find the distinctive footprints of Ann Radcliffe, who tore open supernatural paths with The Mysteries of Udolpho as early as 1794. Radcliffe’s writing of suspense about castles and dark villains influenced Dumas, Scott, and Hugo. Mary Elizabeth Braddon, author of Eveline’s Visitant, wrote eighty novels and volumes of short stories during the 1800s, and was known as the Queen of Sensation. The little-known and much-overlooked Margaret Oliphant scaled the rocky mountainside with a heady ghost story, “The Secret Chamber.

By 1865, Amelia Edwards’  The Phantom Coach cut popular tracks across the haunted mountain. Helena Petrovna Blavatsky cleared the way for future women writers with her collection of nightmare tales, The Ensouled Violin, as did Elizabeth Gaskell with The Poor Clare, which deals with a family evil curse, complete with witches and ghosts. Charlotte Perkins Gilman’s short story “The Yellow Wallpaper”, written at the turn of the century, became the earliest feminist literature to expose 19th century attitudes against women’s mental health, in less than 6000 words. I like to think of Charlotte as the Wallerina, dancing up the haunted mountain.

Gothic writers like Edith Wharton (Afterward) and Mary Wilkins (Collected Ghost Stories) remain treasures.  V.C. Andrews, Shirley Jackson, Daphne du Maurier, Mary Sinclair, Rosemary Timperley, Victoria Holt, Mary Stewart, Joan Aiken, Phyllis Whitney, and Barbara Michaels, all were prolific writers on horror’s haunted mountain during the 20th century, and some are still writing today. Then, of course, there’s Anne Rice, with her newest release The Wolves of MidWinter. This queen of the damned has practically established a private driveway up the haunted mountain, with more than thirty enormously successful novels of vampires, angels, demons, spirits, wolves, and witches.

Horror’s haunted mountain, traveled by women writers from Ann Radcliffe to Anne Rice, is still being trailblazed by fresh talents, writers of gothic, ghost, supernatural, traditional, and dark horror: Alexandra Sokoloff, The Unseen; Barbara Erskine, House of Echoes; Caitlin R. Kiernan, The Drowning Girl; Chesya Burke, Dark Faith; Elizabeth Massie, Hell Gate; Gemma Files, The Worm in Every Heart; Joyce Carol Oates, The Accursed; Kelley Armstrong, Bitten; Linda D. Addison, How to Recognize a Demon Has Become Your Friend; M.J. Rose, Seduction; Melanie Tem, Slain in the Spirit; Nancy Baker, Kiss of the Vampire; Nancy Holder, Dead in Winter; Poppy Z. Brite, Drawing Blood; Rose Earhart, Salem’s Ghost; Susan Hill, The Woman in Black; too many more to list.

What about the short story? Look to Billie Sue Mosiman, with 150 short stories to her credit. Her “Quiet Room” is about a ruthless evil killer, written in “quiet horror” fashion. For collections, try authors Kaaron Warren’s Dead Sea Fruit, Carole Lanham’s The Whisper Jar, and Fran Friel’s Mama’s Boy and Other Dark Tales.

Men may continue to dominate horror’s haunted mountain, just as women continue to be fierce climbers with hawkish voices. But story is story; writers are writers. What does gender matter in art? In the words of Virginia Woolf: “It is fatal for anyone who writes to think of their sex. It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly.” Oh wait, I forgot one more ghostly title for you: Virginia Woolf’s A Haunted House.

Bio:

Paula Cappa is a published short story author, novelist, and freelance copy editor. Her short fiction has appeared in SmokeLong Quarterly, Every Day Fiction, Fiction365, Twilight Times Ezine, and in anthologies Human Writes Literary Journal, and Mystery Time. Cappa’s writing career began as a freelance journalist for newspapers in New York and Connecticut. Her debut novel Night Sea Journey, A Tale of the Supernatural launched in 2012. The Dazzling Darkness, her second novel, won the Gothic Readers Book Club Choice Award for outstanding fiction. She writes a weekly fiction blog about classic short stories, Reading Fiction,Tales of Terror, on her Web site http://paulacappa.wordpress.com/

 

Posted on October 3, 2013 by , 1 comment

Check It Out: HWA Vampire Novel of the Century

 

A couple of months ago we got a press release from the Horror Writers Association. It read, in part:

 

The Horror Writers Association (HWA), the international association of writers, publishing professionals, and supporters of horror literature, in conjunction with the Bram Stoker Family Estate and the Rosenbach Museum & Library, proudly announce the nominees for the Bram Stoker Vampire Novel of the Century Award™, to be presented at the Bram Stoker Awards Banquet at World Horror Convention in Salt Lake City, Utah, on March 31, 2012. The Award will mark the centenary of the death in 1912 of Abraham (Bram) Stoker, the author of Dracula.

A jury composed of writers and scholars selected, from a field of more than 35 preliminary nominees, the six vampire novels that they believe have had the greatest impact on the horror genre since publication of Dracula in 1897. Eligible works must have been first published between 1912 and 2011 and published in or translated into English. The winning book will be announced on March 31, 2012. HWA will also celebrate its twenty-fifth anniversary on that date.

 

 

We at MonsterLibrarian.com are here to help you learn a little about these titles. Here’s a link to a page we’ve created with reviews of each of the nominated books. Some of these are now out of print or difficult to find (The Soft Whisper of the Dead was a limited edition of only 2,800 copies) but if you search your existing collection you may find these books are already on your shelves. Even if they aren’t, and you can’t snag yourself a copy, this is a great time to showcase your vampire novels and movies. Chelsea Quinn Yarbro has just come out with the twenty-fifth book in her Count Saint-Germain series, Commedia della Morte. Nominee Hotel Transylvania is the first book in that series. Richard Matheson’s I Am Legend has been made into three movies since it was published in 1954.

Want to find out more about the authors and their works? Click on the name of the author of each nominated book on the list below.

 

Nominees for HWA’s Vampire Novel of the Century

The Soft Whisper of the Dead (1983) written by Charles L. Grant.

Salem’s Lot(1975) written by Stephen King.

I Am Legend (1954) written by Richard Matheson.

Anno Dracula (1992) written by Kim Newman.

Interview with the Vampire (1976) written by Anne Rice.

Hotel Transylvania (1978) written by Chelsea Quinn Yarbro.

 

I personally have a hard time believing that it’s possible to pick ONE vampire novel from the past hundred years as having the most impact on the horror genre. But a list? That’s interesting, and it gives us- reviewers, librarians, educators, and readers- something to talk about and to share with others.  So several of our reviewers volunteered to write reviews for the books on the list. Some of the books were treasured possessions, others were library copies or first time reads.

I learned new things from reading about the books and their authors. Four of the named books were first in a series- Charles L. Grant wrote twelve books set in Oxrun Station; Chelsea Quinn Yarbro just published the 25th title in her Count Saint-Germain series, which begins with nominee Hotel Transylvania; Kim Newman’s Anno Dracula is the first in a trilogy; and Anne Rice followed Interview with the Vampire with so many other vampire tales that I’ve lost count. Three of them were published in the 1970’s- Salem’s Lot, Hotel Transylvania, and Interview With the Vampire. Interview With the Vampire, Salem’s Lot, and I Am Legend have all been made into movies. I was surprised to find that a few of the books are difficult to track down or out of print- Hotel Transylvania is only availalble as an ebook,  Soft Whisper of the Dead had a very limited print run, and reviewer Sheila Shedd had to send away for her copy of Anno Dracula. Again, check  your library shelves to see if you already own these. You might.

Even if you don’t own the books and can’t get them, this is still a great opportunity to showcase your vampire books and movies (no sparkles allowed). Chelsea Quinn Yarbro’s Commedia della Morte comes out this month, for starters; and if you click here you’ll find a list of additional titles as well as a few links to help you fill out your display. This is also a gold mine for discussion.  Here are some interesting questions to get you thinking…
 

  • Is it possible for there to be one vampire novel with more impact than any other?
  • Do you agree with the novels nominated for the award? Is there another book you’d include?
  • Which book do you think will win the award? Which one would you like to see win the award?
  • Did any of our reviews intrigue you enough to check out the book, if you haven’t already?

This inquiring mind would love to know! Enjoy, and please leave a comment!

 
 

 

Posted on March 12, 2012 by , Reply
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