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Help a Reader Out: A Book List for Teenage Boys

Stephanie Ellis, a participant on Monster Librarian’s Facebook page, noted that right now there is a lot of great YA horror with girls as protagonists or major characters, but she’s having trouble finding any with boys as protagonists (writers, take note). I personally think it is lovely that we’re seeing more girls take on major roles in horror fiction, but in looking at this list by Kelly Jensen of YA horror fiction for the second half of 2019, 28 of the books have women as authors or editors (there is one anthology, slanted significantly toward women authors) and just three have men as authors. So many women writers getting published and lots of girls and women as protagonists or major characters is a great problem to have… unless you are looking specifically for YA horror with boys as protagonists and major characters. There are a lot of boys who are reluctant readers and an engaging YA read will grab them. Of course we shouldn’t all expect all books to be mirrors of our experiences, but there are now many more options for boys to read stories that showcase girls as protagonists and point-of-view characters, so there are more windows to look through, and doors to step through, in YA horror than ever before.  A note: I’d like to see alternatives to traditional depictions of masculinity in future YA horror. It makes for some pretty great writing when you see it!

A few things about teens who seek out horror. In a very small 2007 study, Sharon McKool discovered that there are many kids who jump straight from reading Goosebumps to reading Stephen King (this included her own son).  Based on my even earlier experience as a college student in the 1990s, I had more than one classmate who first engaged in reading when he first discovered Stephen King, and thought he was the greatest writer ever. A teenage boy was the first to hand me Anne Rice. My brother, not a reader, was gripped by In Cold Blood. YA is not a stopping point for these boys.

But many boys aren’t ready to make that jump and take the path that leads through YA fiction, and that’s awesome, because there are some great books available for them. There are even outstanding authors who first wrote for adults who have now also written YA horror, like Jonathan Maberry, Jeff Strand, and Steven Wedel (author of Murdered by Human Wolves, written for an adult audience, as well as co-author with Carrie Jones of one of the books Jensen mentioned as coming out later this year). These authors have the opportunity to introduce the adult horror genre to their young adult audiences craving more. However, since the current crop of upcoming YA horror fiction doesn’t seem to offer much in the way of boys as protagonists or major characters, here are a few older titles you can turn to. They are very different in tone, level of gore, age appropriateness, writing style, type of creature, and quality, so you can’t just hand the list over to any teenage boy and say “pick one.” But it is a starting place for making recommendations to the right kids. We’ve reviewed many, but not all, of these books. If the book was published before 2014, you’ll need to search the original MonsterLibrarian.com.com website to find it, but it should be pretty simple to find most of these reviewed elsewhere as well.

 

A Bad Day for Voodoo by Jeff Strand (2013) This Bram Stoker nominee is both funny and violent. Strand has written other books for younger readers that aren’t as violent, and comic horror for adults that can get very gory.

A Monster Calls by Patrick Ness (2011). This outstanding book should be in every collection. It is powerful and wrenching, and gorgeously illustrated.

Anna Dressed in Blood (2 book series): Anna Dressed in Blood (2011), Girl of Nightmares (2012) by Kendare Blake. Anna Dressed in Blood is consistently recommended as a “book to read” on recommendation lists for YA horror.

Escape from Furnace (5 book series): Lockdown (2009), Solitary (2010), Death Sentence (2011), Fugitives (2012), Execution (2012)  by Alexander Gordon Smith. This action-packed dystopian series about a brutal underground prison for delinquent teenagers has some really difficult torture and body horror scenarios.

Five Nights at Freddy’s (2 book series): The Silver Eyes (2016), The Twisted Ones (2017) by Scott Cawthorn and Kira Breed-Wrisely. These are based on the popular video game Five Nights at Freddy’s. 

Gone (8 book series): Gone (2008), Hunger (2009), Lies (2010), Plague (2011), Fear (2012), Light (2013),  Monster (2017), Villain (2018) by Michael Grant

Heap House (The Iremonger Trilogy, #1) by Edward Carey (2014)

Lockwood & Co. ( 5 book series): The Screaming Staircase (2013), The Whispering Skull (2014), The Hollow Boy (2015), The Creeping Shadow (2016), The Empty Grave (2017)  by Jonathan Stroud. These will probably appeal more to younger teens and are slanted toward mystery.

Miss Peregrine’s Peculiar Children (6 book series): Miss Peregrine’s Home for Peculiar Children (2011), Hollow City (2014), Library of Souls (2015), Map of Days (2018), The Conference of the Birds (upcoming)  by Ransom Riggs. The use of vintage photographs and documents really sets these apart. A movie was made of the first book in 2016.

Peeps by Scott Westerfeld (2005)

Red Eye (10 book series): Flesh and Blood, Bad Bones, Savage Island, and Whiteout all have boys as protagonists. Tony Jones has done a summary of the 10 books in this UK series here.

Rot & Ruin (4 book series) : Rot & Ruin (2010), Dust & Decay (2011), Flesh & Bone (2012), Fire & Ash (2013). by Jonathan Maberry. This Stoker Award-winning series is essential. Bits & Pieces (2015) collects shorter pieces that take place in the same fictional world, and Broken Lands (2018) is the first book in a follow-up series.

Rotters by Daniel Kraus (2011)

Skeleton Creek (5 book series):  Skeleton Creek (2009), Ghost in the Machine (2009), The Crossbones (2010), The Raven (2011), The Phantom Room (2014) by Patrick Carman. Skeleton Creek is an interactive series that directs readers to YouTube videos and websites intended to give the story a feeling of realism.

Slasher Girls & Monster Boys edited by April Genevieve Tucholke (2015). This is on HWA’s “Summer Scares” list for 2019.

The Apprenticeship of Victor Frankenstein (2 book series): This Dark Endeavor and Such Wicked Intent by Kenneth Oppel (reprinted 2012) I fangirl these ones! Kenneth Oppel is a very talented writer.

The Abused Werewolf Rescue Group by Catherine Jinks (2019)

The Devil’s Engine (3 book series): Hellraisers (2015), Hellfighters (2016), Hellwalkers (2017)  by Alexander Gordon Smith

The Enemy (7 book series): The Enemy (2010), The Dead (2011), The Fear (2012),  The Sacrifice (2013), The Fallen (2014), The Hunted (2015), The End (2017) by Charlie Higson. This post-apocalyptic series begins after nearly all the adults have been turned into cannabilistic zombies, and the children and teens are banding together in gangs, in hopes of surviving.

The Graveyard Book by Neil Gaiman (2009). This Newbery Award-winning book is outstanding and covers a boy’s life from young child to young man. The artwork by Dave McKean is startling and effective.

The Graveyard Book (graphic novel) by Neil Gaiman and P. Craig Russell (2018)

The Illuminae Files: Illuminae (2015), Gemina (2016), and Obsidio (2018) by Amie Kaufman and Jay Kristoff. These look more intimidating than they actually are. The stories are set up as a series of chat logs, emails, video transcriptions, photos, sketches, maps, and impressive double page illustrations, so even though the books are substantial they don’t need to be intimidating. They have a futuristic science-fiction setting.

The Monstrumologist (4 book series): The Monstrumologist, The Curse of the Wendigo, The Isle of Blood, The Final Descent by Rick Yancey. Will is the 12 year old apprentice to a “monstrumologist,” both scientist and monster-slayer, writing of his experiences. Set in the Victorian era, the language can be difficult and flowery.  Although The Monstrumologist is a Printz Honor book, it is not for everyone. It will appeal most to readers with advanced vocabulary and a very strong stomach for gore and body horror.

The Thief of Always by Clive Barker (1992,  reissued 2014). Clive Barker takes a different tone in this story of a house where it’s always a holiday. Many, many horror fans and writers have mentioned this as a gateway title to adult horror.

The Thief of Always (graphic novel) by Clive Barker, adapted by Kris Obrisko, art by Gabriel Hernandez (2010)

Thirsty by M.T. Anderson (1997, reissued 2010) Published in the days when YA horror was a rare treat, nobody had heard of that Harry Potter guy, and Amelia Atwater-Rhodes was a big deal, Thirsty remains memorable to me.

 

 

 

 

 

 

 

Posted on June 12, 2019 by , Reply

Book Review: Mary’s Monster: Love, Madness, and How Mary Shelley Created Frankenstein by Lita Judge

Mary’s Monster: Love, Madness, and How Mary Shelley Created Frankenstein by Lita Judge

Roaring Brook Press, 2018

ISBN-13: 978-1626725003

Available: Hardcover, Kindle edition

 

After the flood of books about Frankenstein and Mary Shelley that accompanied the bicentennial of the first publication of the book last year,  despite my fascination with both, I was pretty exhausted from reading about them by the time 2019 rolled around, but Mary’s Monster is something special. This verse biography of Mary Shelley’s life is framed by imagined commentary from the Creature itself. While in a text-only format this might not have worked, nearly every page is also a visual feast, pairing Lita Judge’s free verse with incredible black-and-white watercolor illustrations, for nearly 300 pages. The powerful illustrations integrated into the text reminded me at times of A Monster Calls, but that is a fictional prose novel, while this is nonfiction– a detailed verse biography. Judge structured the book into nine parts, to represent the nine months it took Mary to finish writing Frankenstein, and also the same length as a pregnancy. Mary’s thoughts about creation, love, abandonment, despair, and destruction were central to her identity, and she certainly dealt with all of these issues in her own life, from the death of her mother in giving birth and difficult childhood, to her intense relationship with Percy Shelley and her own pregnancy.

In introducing her, the Creature presents her as a complex character, outspoken and imaginative, and commands us to “hear her voice”. Indeed, even though they are not necessarily all direct quotes, the poems in the book are all told from Mary’s point of view, and Judge has pages of notes at the end identifying where she found individual lines. We hear Mary’s voice as shaped by Judge’s perceptions, choices, and words. Through Part 7, we get a relatively straightforward narrative of Mary’s life from childhood through the summer at the Villa Diodati, during which she started writing Frankenstein.  Part 8 starts with the suicides of her half-sister Fanny and Shelley’s wife Harriet and expresses her intense grief over their deaths and the early death of her first daughter in a nightmarish, Goya-esque collage of her internal turmoil, the responses of the very tangible Creature she creates, and the way the two of them are twisted together: he claiming “I am your creature,” and her return revelation, “My creature is me!”

This is not a light read. Mary Shelley’s life was intense, passionate, and difficult, and while Judge doesn’t go into the details, she doesn’t shy away from writing about sexual relationships, suicide, children dying, drug use, and bad reputation (as opposed to a recent children’s book that described Mary visiting the Villa Diodati with “her dear friend Percy Shelley”).  Judge omits any mention of Mary’s wedding to Shelley after Harriet’s suicide, which is, to me, a confusing thing to leave out, although I will grant that it wouldn’t have contributed well to the flow of Part 8, which is focused on Mary’s anger and grief (Judge explains her reasoning in an author’s note). In addition to an author’s note and the notes on the poems, Judge also provides additional information about Mary Shelley and Frankenstein following the book’s initial publication; thumbnail descriptions of the lives of major characters and family members, such as William Godwin, Mary Wollstonecraft, Percy Shelley, and Lord Byron; a list of books that Mary had read, according to her journal; and a bibilography. It’s not everything you want to know about Mary Shelley, but it’s a great place to start. Mary’s Monster is a breathtaking look at Mary Shelley’s younger years (Part 9 ends in 1823, and she lived until 1851), and, although it is targeted at YA audiences, I highly recommend it as a unique title that does an outstanding job of melding poetry, biography, art, and literary criticism into a powerful, magnetic, visually compelling, and well-researched story.

Reviewed by Kirsten Kowalewski

Posted on March 6, 2019 by , Reply

Book Review: Tell The Story To Its End by Simon P. Clark

Tell The Story To Its End by Simon P. Clark

St. Martin’s Griffin, 2015

ISBN-13: 978-1250066756

Available: Hardcover, paperback, Kindle edition

 

Oli’s mum has suddenly, and without explanation, decided the two of them should go to the country and visit his uncle, Rob. Rob has been estranged from Oli’s parents for many years, and although no one is telling him anything, Oli knows something bad has happened. In an effort to distract him, Rob suggests that Oli explore the attic, and once the attic door is opened, strange things begin to happen in the house.

As Oli explores the village it becomes clear that something about his family is being held against him, but no one will tell him exactly what it is. He becomes friends with Em, who is fascinated by local legends and stories, and shares with him the tale of Full Lot Jack, who offers children their heart’s desire in exchange for their dreams. Her stories, in combination with the strange things that have been happening since the attic door was opened, and a need to escape his family’s lies, drive him to explore the attic, where he meets Eren, a creature that lives in the attic and feeds on stories. As frightening as Eren is, Oli can’t stay away. There is more truth to Eren’s dark stories than in Oli’s everyday life, and Oli must make a decision about which one he most wants to escape.

In some ways, this book reminded me of A Monster Calls. There’s a lonely boy with nightmares, who calls a monster to him in an effort to make sense out of fear and lies, with a parent who has something seriously wrong going on. As in A Monster Calls. there is a great deal about the power of story. But there the similarities end. Tell The Story To Its End lacks the powerful illustrations combined with primal emotion that make A Monster Calls an outstanding read. Instead, it’s a story packed in cotton wool, with muted emotions and dissociated relationships. The beginning of the book suggests its end, and Clark’s skill with creating gothic nightmares instills a sense of dread from the very first page, that only increases as the reader turns the pages, knowing what is likely to unwind. Despite that feeling of inevitability, the book doesn’t unfold in a predictable manner. Readers who enjoy dark tales that play cleverly with plot, structure, and narrative will be surprised, and may find something to like, but those seeking deep emotional connection or expecting a happy ending will want to look elsewhere.  Appropriate for ages 11 and up.

Posted on June 18, 2017 by , Reply
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