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Book Review: The Cabin at the End of the World by Paul Tremblay

The Cabin at the End of the World  by Paul Tremblay

William Morrow. 2018

ISBN-13: 978-0062679109

Available: Hardcover, paperback, mass market paperback, Kindle edition, audiobook

 

Paul Tremblay is at it again, screwing with the minds of readers, playing a morality game that results in a twisted read worthy of film version due to its close characters, claustrophobic setting, and themes that he refuses to shy away from.

Tremblay’s previous books, A Head Full of Ghosts and Disappearance at Devil’s Rock, both toyed with the reader’s sense of reality and the supernatural. In The Cabin at the End of the World, Tremblay drags the reader into what seems to be a simple home invasion story. Nothing is what it seems, though: this is a tight, utterly uncomfortable, well-told tale of horror that requires the reader’s intellect and intuition to untangle whether there is a supernatural factor to the story

A young girl, Wen, plays outside with her grasshoppers, while her parents, Eric and Andrew, are inside, relaxing on a peaceful family vacation in the woods of New Hampshire. Nothing is supposed to be anywhere near them: no stores, neighbors, or distractions.

Then Leonard arrives. A hulking man, he speaks calmly to her and appeals to her innocence before announcing, “None of what’s going to happen is your fault. You haven’t done anything wrong, but the three of you will have to make some tough decisions. I wish with all my broken heart you didn’t have to.” Three strangers emerge from the woods and enter the cabin. They  inform the family that the end of the world is inevitable, unless the parents make a heart-wrenching decision that will ruin them.  Are these strangers cold-blooded psychopaths who sought out this family, or is there something more at play?

The way Tremblay paints the characters of both the family and the intruders, is what drives the story. To say more would kill the suspense, but suffice it to say, the emotional heft of this tale will leave a scar behind.

Highly recommended reading for readers of great suspense.

 

Reviewed by Dave Simms

Editor’s note: The Cabin at the End of the World  is a nominee for the 2018 Stoker Award in the category Superior Achievement in a Novel. 

Book Review: Disappearance at Devil’s Rock by Paul Tremblay

Disappearance at Devil’s Rock by Paul Tremblay
William Morrow Books, 2017
ISBN-13: 978-0062363275
Available: Paperback, Kindle edition, library binding, audiobook, audio CD

Last year’s Stoker winner for best novel was one of the least anticipated in many years. People who read it knew that A Head Full of Ghosts was a shoo-in; it simply was one of the strongest horror novels in several years.  Paul Tremblay’s characters seemed as real as the next-door neighbors, despite the suggestion of supernatural involvement in the events of the story, the multiple perspectives he used were smoothly integrated, yet somehow formed a disorienting and frightening narrative.

Disappearance aat Devil’s Rock is a definite departure in terms of tone and style. It’s a subtle tale, yet one with plenty of tension and plot twists. From the first page, it’s as if Tremblay is whispering to the reader in a dark and secluded New England pub on a chilly autumn evening. What begins as a simple case of a missing teenager turns into something quite sinister that tears at the fabric of a family’s sanity.

Elizabeth Sanderson receives that dreaded call– Tommy, her teenage son has gone missing.  He disappeared in Borderland Park at his friends’ favorite hangout, Devil’s Rock. One night, pages of Tommy’s journal begin to appear on the floor of the house, opening a box of puzzle pieces that don’t quite seem to fit together.  Elizabeth, her daughter Kate, and her mother Janice, struggle to figure out what the late night pages mean. As Elizabeth delves into the mystery, she finds that everyone has a different version of what happened, and that Tommy’s friends are hiding something, or someone. There are even sightings of him around town: is there a chance that Tommy is still alive?

Where Tremblay succeeds in his novels, and this has been noted in several other reviews, is in focusing on the spaces between words, actions, and characters’ relationships. The supernatural may be a component of Disappearance at Devil’s Rock, or just an illusion. This is a thinking reader’s horror/thriller/mystery/suspense novel, but it is as accessible and quick a read as any bestselling page-turner, and might be the one to break down the genre walls for Tremblay.  Recommended.

Reviewed by Dave Simms

 

You Might Be In A Horror Novel If…

The 25 Best Gothic Horror Books

You are in an abandoned mansion in the middle of nowhere.

You are a governess, left alone with oddly acting or obviously evil children.

You are isolated from the rest of the world by weather, geography, and/or another outside force beyond your control.

You do not trust the evidence of your own senses.

 

You might be in The Turn of the Screw by Henry James,

or This House Is Haunted by John Boyne

 

It is stormy, dark and gloomy.

You are the captive of a scheming and sadistic governess, teacher, caretaker, or relative.

You are trapped in the walls, a basement, a closet, or an attic.

There is a hedge maze, Escher-style stairs, or carnivorous beast on the property.

Authorities are absent or unable to help you.

 

You might be in Flowers in the Attic by V.C. Andrews,

or Misery by Stephen King

Your house is a former asylum or school, built over a graveyard, or the site of a cold-case murder.

You have specifically been told not to open a door.

Ghosts are either menacing you, possessing you, or asking you for help.

An inanimate object starts talking to you.

Someone is leading you through dark, underground tunnels or catacombs.

Your nightmares seem very, very real.

 

You might be in Down A Dark Hall by Lois Duncan,

or the stories of Edgar Allan Poe

 

It is bright and sunny, and everyone is very, very, happy.

 

You are uneasy without obvious reason.

You are uneasy with obvious reason.

Everyone in town is related to (or at least knows) everyone else.

There is a terrible secret in your town’s past (or present).

A disturbing community ritual, probably involving demon worship, is scheduled for the near future.

You are offered a favor in exchange for your soul.

You find a book or journal that clearly will summon an ancient evil.

 

You might be in  The Thirteen  by Susie Moloney

or The Stepford Wives by Ira Levin

 

A classified, experimental government program has gone awry.

An inexplicable and incurable virus has infected the majority of the population.

A malicious mythical creature attempts to eat you, assimilate you, or seduce you.

A vigilante or cult-like group is bent on destruction.

 

You might be in The Strain by Chuck Hogan and Guillermo del Toro

or The Fireman  by Joe Hill

 

Giant, mutated creatures are approaching.

Ominous, tentacled creatures appear on the scene.

The narrator or main character is showing clear evidence of insanity.

 

You might be in Maplecroft by Cherie Priest, Clickers by J.F. Gonzalez,

or the works of H.P. Lovecraft.

 

People are dying in brutal, horrifying, appalling ways.

Someone, or something, wants to eat you for dinner.

 

You might be in Succulent Prey by Wrath James White,

or Monster Island by David Wellington

 

Your perceptions are unreliable or distorted.

You can’t trust your memories.

You can’t trust the media.

You might be in A Head Full of Ghosts by Paul Tremblay

 

You have a feeling of bone deep terror.

That unending sense of dread just won’t go away.

You hear a loud “slam” and things go dark…

 

You’re probably trapped in a horror novel. Let’s hope that your reader decides to open up the book again, and gives you a chance to escape!

 

 

Editor’s note: not all books are appropriate for all readers.. and I wouldn’t wish any of you to be trapped in any of these!