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Book Review: Stolen Pallor by Sean Eads and Joshua Viola

cover art for Stolen Pallor by Steve Eads and Joshua Viola

Stolen Pallor by Sean Eads & Joshua Viola

Blood Bound Books, 2024

ISBN: 9781940250649

Available: Paperback, Kindle edition

Buy: Amazon.com

 

 

With Stolen Pallor, the authors throw a twist on the old saying  that “suffering creates great art”.  Here, great art creates suffering.  Readers won’t suffer from boredom while reading this horror/mystery novella that snaps right through its 99 pages in impressive fashion.

 

Cole Sharpe is a private investigator called in to investigate some bizarre happenings at a museum in the fictional town of New Florence, a community basically dedicated to all forms of art.  The town itself is an interesting study in setting: what would it be like living in a town where artistic concerns trump most other routine matters?  The strange events at the museum consist of people suddenly going catatonic while staring at random paintings, later shuffling off and…vanishing.  It’s Cole’s job to find out where they go.

 

Cole is a strong lead character with a pretty firm moral compass and some emotional baggage from childhood trauma.  He would have been good enough to carry the story on his own, but his lover and part-time detective partner Mikey adds some good color and contrast to the story.  Mikey is more lighthearted, less serious, and also a bit more self-centered, and the conversations between Cole and Mikey add a good dose of emotional heft to the story.  The two of them together provide the material for one of the book’s most important questions: how much of what you have are you willing to risk to do the right thing?  In this story, there’s not an easy answer for that one.

 

The story also does a good job incorporating the fantastic into the mundane, as shown with the parallel version of New Florence, which the authors tie back into the obsession with art that permeates the original New Florence. That being said, the ‘alternate reality’ New Florence does allow the door to be opened to a darker realm, with fun characters like soul-sucking wraiths… and how can you not love a vampire whose name is Fangsy?  The story ends in a Hitchcockian fashion, and the final ambiguous pages leave it up to the reader to imagine where the story will go.  It’s a good way to finish up a book that works with some shades of gray, instead of just black and white.

 

Bottom line: there’s a lot of good stuff crammed into 99 pages: this one is definitely recommendable.  Hopefully, this won’t be a one-off pairing for the authors. It would be interesting to see what they could do with a full-length story.

 

 

Reviewed by Murray Samuelson

Book Review: What Waits in the Shadows by Wil Forbis

Cover art for What Waits in the Shadows by Wil Forbis

What Waits in the Shadows by Wil Forbis

Self published, 2024

ISBN: 9798877647923

Available: Paperback, Kindle edition

Buy:  Amazon.com

 

 

Remember all those stories as a kid about the monster in the closet?  In the case of What Waits in the Shadows, there actually is a monster in the closet.  Not only can it talk, it rips heads off people and tosses them out like a basketball.  This makes for a pretty good story,

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Ever since Lisa Kallman, as a kid, witnessed the above treatment of her dad by the monster, she’s been trying to put it behind her, and after years of therapy, she seems on the verge of a normal life.  This part is a little paint-by-numbers: of course she works in mental health, has the new house, a great fiancée, and so on.  It gets more fun when the monster shows back up again and starts not just going after her, but those around her as well.  There is some decent suspense here, and the scenes where the monster destroys someone in bloody fashion are good fun.  The secondary character of Jeremiah O’Brien adds a nice flavor to the book: he’s the guy wrongfully imprisoned for killing Lisa’s dad.  Would you really expect the authorities to believe a story about a closet monster ripping off heads?  Of course not!  Jeremiah’s story thread, as he is hell-bent on revenge for a stolen life, adds a good perspective to the book and helps keep it from becoming too predictable.

 

The end of the book is wrapped up nicely, and the big reveal about the monster shows good imagination: it’s a nice twist on the story.  This book might have been a bit more fun if a few hints had been sprinkled throughout the story: little clues are good for keeping readers hooked.  As it is, you’ll think it’s just a garden-variety monster until the end.

 

The one part that really should have been fixed is the strange formatting.  The book has 1.5 spacing for the lines, but is double-spaced between each paragraph, which is not normally done. Also, there are no indents for paragraphs in the entire book: all the type is slugged to the left hand margins.  As a result, the book comes in at 245 pages, although it would probably be closer to 150-175 pages if formatted correctly.  I’m not sure if this was the author’s choice or an error, but it should be corrected in future printings.

 

Bottom line::it’s worth a look.  While not a must-read, it is good enough to check out when you have the time.

 

Reviewed by Murray Samuelson

 

Book Review: His Unburned Heart (Selected Papers from the Consortium for the Study of Anomalous Phenomena #1) by David Sandner

Cover art for His Unburned Heart by David Sandner

His Unburned Heart (Selected Papers from the Consortium for the Study of Anomalous Phenomena #1) by David Sandner

Raw Dog Screaming Press, 2024

ISBN-13 ‏ : ‎ 978-1947879768

Available: Paperback

Buy: Bookshop.org  |  Amazon.com

 

His Unburned Heart is the first in a series of novellas connected by a frame story of being published by the fictional Consortium for the Study of Anomalous Phenomena. Monster Librarian has previously review volume 2, 12 Hours, and volume 3, Asylum. They’re all very different in tone, topic, and style: what they have in common is that each is about an inexplicable change to reality.

 

The first half of His Unburned Heart is a novella of the same name, and a reasonably straightforward piece of historical fiction. Prior knowledge of the people and events is helpful in providing context. Mary Shelley is well known as the author of Frankenstein. She lived an unconventional life as a young woman, marrying the notorious Romantic poet  Percy Shelley.. He and a friend set off sailing into a major storm over Mary’s objections, and disappeared. Their bodies were washed ashore much later. Italian laws about contagion meant that Percy’s body would have to be burned, but Mary, as a woman, was not allowed to come. Instead, his publisher Leigh Hunt, and their friends Edward Trelawney and Lord Byron attended. After the body had burned, Trelawney saw that Shelley’s heart had not burned away and pulled it out of the ashes. Leigh Hunt left with Shelley’s unburned heart. Those are the facts.

 

Sandner’s novella has Mary determined to witness Percy’s cremation regardless of what the law says. She goes to her friend Mrs. Mason, who disguises her as a man, allowing her to pose as one of Lord Byron’s footmen (Lord Byron sees through the disguise but says nothing). On seeing that Leigh Hunt has kept Percy’s heart, she visits and demands it back, but he refuses, so Mary enlists her stepsister Claire into helping her break in and steal the heart (Mary had a complex relationship with Claire, with a history that is only obliquely referred to: Sandner captures this in just a few lines). Sandner’s spare style uniquely draws characters whose thoughts can’t be guessed, such as Lord Byron.

 

The second half of the book is titled “The Journal of Sorrow”. In it Mary first recounts the weeks and days before Percy left on his trip, including a vivid description of a miscarriage where she nearly bled to death before a doctor could arrive at their isolated home, Percy’s intervention of bathing her in freezing water saved her life. The  depiction of her miscarriage, bleeding, and freezing, is terrifying and has a visceral impact.

 

This prologue is followed by a series of dreams or imaginings of Percy’s last hours: In her journal, Mary writes, “Some stories cannot be told except as fragments, as dreams, fits… I hold them out to you–dead leaves to quicken some new birth…” These short fragments all approach his drowning and death from different imagined angles, and somehow this unconventional, stream-of-consciousness style of writing becomes not only a series of strange encounters with Shelley and the deep, but a shape of Mary’s feelings about him. I found The Journal of Sorrow and its intense, brief, and dreamlike writing to be an incredibly powerful expression of imagination, guilt, grief, anger, regret, and love.

 

His Unburned Heart does require background knowledge to be fully appreciated, but this is a perfect Valentine’s gift for the horror lover, and for those readers especially interested in the lives of Mary and Percy Shelley this is a treat. Recommended.

 

Reviewed by Kirsten Kowalewski