Fragments of Horror by Junji Ito
Viz Media, 2015
ISBN: 9781540050465
Available: Hardcover, Kindle edition
Buy: Bookshop.org | Amazon.com
Junji Ito’s Fragments of Horror, consists of eight original manga horror stories published in Nemuki+ in 2014, created after a hiatus from horror. Tales have a wide range in terms of content and atmosphere.
In “Futon,” new wife Madoka is lamenting her husband Tomio’s strange affliction. He refuses to come out from under his futon because of strange visions. Soon, Madoka experiences her own visions. Is there something supernatural going on, or is there a more mundane explanation for the strange occurrences the couple is witnessing?
Megumi and her father are quite proud of their old house and accept a new boarder in “Wooden Spirit.” The young woman eventually charms her way into the family, but it isn’t Megumi’s father that is attracting her affection.
“Tomio: Red Turtleneck” is one of the strangest stories in this anthology. Tomio returns to his ex-girlfriend Madoka, desperate for help. He has his hands covering his ears when he arrives at her house. At first, she tells him to return to “that woman” when the story turns to three days earlier. We see Madoka breaking up with Tomio for being unfaithful with a fortune teller they consulted. He goes back to the fortuneteller who turns out to have a unique collection, and she wants to add Tomio. If he removes his hands from his head, she will surely get her new addition.
“Gentle Goodbye” is a touching story, a departure from Ito’s usual horror fare. Riko, who is afflicted with nightmares of her deceased father, marries Makoto Tokura, although the family disapproves of their marriage. When she sees ghosts in the familial home, Makoto explains that his family has the ability to create afterimages of family members who have passed on. Through this ability, Riko discovers the shocking secret about her own nightmares.
In “Dissection-chan,” a class in the dissection lab at Chuo Medical University is preparing to dissect a cadaver. When they open the body bag, however, the body within is not dead. One of the students recognizes her as a childhood friend, and when the young woman realizes who he is, she won’t leave him alone, begging him to cut her open.
Rescued and injured hiker Kume is taken to the hospital in “Black Bird.” When he reveals how long he was lost- for a month– nobody can believe it. Then, there is the strange woman who visits him and feeds him every night..
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“Magami Nanakuse” is a somewhat problematic story in this anthology. Kaoru Koketsu finally meets her favorite author, the titular Magami. The author is strangely obsessed with people’s nervous tics and uses them as a sort of muse for their work. They’ve gotten bored with the current run of tics their associates have and needs to find new ones. Hence the reason for Kaoru’s presence. Can Kaoru provide the ultimate tic the author is searching for? The problematic part of the story is that it is revealed the villain is a transgender woman, where the main character exclaims, “She’s a man…?” with a disgusted facial expression. It could also be a look of surprise–it really can be viewed both ways. The character is written as a fairly distasteful person. Regardless, this could have been written without the “man in a dress” stereotype.
In “Whispering Woman,” Mayumi cannot make decisions on her own. She requires someone to tell her what to do constantly. Mitsu Uchida has been hired as the girl’s latest attendant. Mitsu has an uncanny ability to be at Mayumi’s side at all times, despite the fact that her health is clearly being effected. Mitsu becomes frail and emaciated, but she is faithful to her charge. What would happen if Mayumi’s external voice fails?
Fragments of Horror isn’t my favorite Ito collection. It feels like more of an exercise or warm-up to get back into his rhythm of horror. However, I would recommend this for the Ito completist. There are a few strong chapters, such as “Tomio: Red Turtleneck”, “Gentle Goodbye”, and “Dissection-chan”, so it is worth reading. Just do not expect Ito’s best work in this volume. Recommended.
Reviewed by Lizzy Walker
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