The Moore House by Tony Tremblay

Twisted Publishing, 2018

ISBN-13: 978-1949140996

Available: Hardcover, paperback, Kindle edition

The haunted house tale is a tough one to take on as a writer. Not much can measure up to Shirley Jackson and Richard Matheson, although Mark C. Danielewski’s House of Leaves  had an original spin. In The Moore House, Tony Tremblay accomplishes the task of breathing new life into the trope, by doing what so many others fail to do: create memorable characters that rise above the expected to become something special.

Tremblay’s characters include three nuns and a priest, all of whom have taints on their persons that color them in multiple dimensions. The nuns have all been excommunicated and the priest battles his own demons. The four have been tasked with working in a paranormal investigative group that’s part of the Catholic Church as they hope to reconcile their sins.

The four have been assigned to check out The Moore House, a structure with a murderous past. The town of Goffstown, New Hampshire has been plagued by strange occurrences around this dwelling. They are instructed not to go inside, as their empath skills can be easily employed outside the walls, but the house has other plans.

What ensues is different than most haunted house novels. Like Hill House, the Moore House becomes a central character. To explain how would spoil the fun but the comparisons to The Exorcist are not far off here. The stories are not similar, but the ingredients will resonate with those fans of the great novels that preceded this one.

The bottom line is that The Moore House actually does terrify. Tremblay’s writing is unobtrusive and lean, allowing the characters and plot to breathe, move, and lull the reader into a sense of comfort, before crushing it. Recommended reading and well-deserving of its place on the final ballot for this year’s Stoker Awards.

Reviewed by Dave Simms

Editor’s note: The Moore House is a nominee on the final ballot for the 2018 Bram Stoker Award in the category Superior Achievement in a First Novel.