Memory of Water by Emmi Itaranta
HarperVoyager, 2014
ISBN-13: 978-0062326157
Available: Hardcover, paperback, Kindle edition
For a novel in which it seems that very little happens, Memory of Water packs an unexpected punch. The story takes place in a dystopian future that seems all too likely: one in which climate change has completely altered geography, shortages of oil and gas caused terrible wars, our fragile technology is broken, books have been destroyed, and the only uncontaminated water is controlled by the military and the government.
Noria, the first-person narrator, is the daughter and apprentice of the tea master in her village, and she has been entrusted with a secret– the tea master is the guardian of an illegal hidden spring of clear water, a crime punishable by execution. The new military leader, Commander Taro, is suspicious, but unable to find evidence. When Noria’s father dies, she becomes the guardian of the spring, but as the military closes in on her village and clean water becomes more and more severely rationed, she has to decide whether to share the secret.
Noria and her friend Sanja are both curious about past technology, and during a scavenging expedition they uncover evidence from an earlier time that there may be reserves of uncontaminated water, and, with their new knowledge, decide to leave on an expedition of exploration. Unfortunately, Noria’s movements have been observed, and she is separated from Sanja and isolated from the community in an effort to convince her to give up the location of the spring to the military.
Finnish author Itaranta communicates the history and present of her complex world without depending on long passages of exposition. The details of daily life, and the rituals of the tea ceremony, give structure and believability to the story without overwhelming it. This is a slow, deliberately told story, using lyrical and vivid language. Noria’s strong feelings about her relationships with her parents and Sanja, and about freedom and survival, bring it alive. The love and strong friendship between Noria and Sanja, while not the main focus of the story, is a powerful force within it. Because we only see through Noria’s eyes, and learn what she knows, the end of her story has an unusual impact. The end of Noria’s story is not the end of the story, though. Itaranta switches to third person narration that fills in many of the blanks, and ends on a bittersweet note of hope.
Memory of Water isn’t a horror novel, but it is powerful and imaginative. In a crushing world like the one Itaranta describes, one might not expect to find that there is still room for small acts make a difference, and a possibility of hope. It is easily one of the best books I’ve read this year.
The next time someone argues that dystopian fiction is bad for society, hand them this book as evidence that sometimes it’s where we find hope for the future.
Reviewed by Kirsten Kowalewski
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