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Book Review: The Year’s Best Dark Fantasy and Horror: Volume 1 edited by Paula Guran

A note from the editor:

We are getting near the end of November and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $45 we still need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now our review of The Year’s Best Dark Fantasy & Horror: Volume 1 edited by Paula Guran.

 

cover art for The Year's Best Dark Fantasy and Horror Volume 1 edited by Paula Guran  ( Amazon.com )

The Year’s Best Dark Fantasy & Horror: Volume 1, edited by Paula Guran, cover design by Jennifer Do

Pyr Books, 2020

ISBN: 9781645060253

Available: Trade paperback, Kindle edition

 

After ten volumes of the series with Prime Books, acclaimed editor Paula Guran has moved to Pyr to continue her relentless search for the best dark fiction published during the previous year (in this case 2019). The present “debut” volume with the new publisher includes 25 short stories that were previously published in various genre anthologies and magazines.

As a confirmed horror fan, it seems to me that this time the balance is a bit too much in favor of fantasy tales, although, admittedly, the boundary between the two genres is often very thin.

Commenting upon such a huge anthology, featuring such a high number of stories, is a difficult task, so I will take advantage of my privilege as a reviewer to pinpoint just my favorite stories.

“The Promise of Saints” by Angela Slatter is a little gem of religious horror featuring a naive girl and  a powerful saint, while “Burrowing Machines” by Sara Saab is an intriguing tale set in the claustrophobic bowels of London, between the Tube and the elusive River Fleet.

In the short but effective “Haunt” by Carmen Maria Machado we meet a ghost who’s not a ghost, and in the disturbing “The Coven of Dead Girls” a group of murdered girls is haunting the house of their serial killer.

To me, the best story is Pat Cadigan’s “About the O’Dells”, a superbly written piece in which a murder from the past casts shadows on the neighborhood and affects the mind of a young girl.

As with any anthology, this one is a mixed bag, but well worth reading. Recommended for adult readers.

 

Reviewed by Mario Guslandi

 

 

Book Review: The Grace Year by Kim Liggett

 

A note from the editor:

We are getting near the end of November and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $45 we still need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now our review of The Grace Year by Kim Liggett.

 

 

cover art for The Grace Year by Kim Liggett

The Grace Year by Kim Liggett (   Bookshop.org  | Amazon.com  )

Wednesday Books, 2019

ISBN-13 : 978-1250145444

Available: Hardcover, Kindle edition, audiobook

 

 

At first glance, The Grace Year seems like a YA take on The Handmaid’s Tale crossed with The Lord of the Flies. It takes place in an alternate society where women and girls are divided into groups by the colors of their hair ribbons: white for girls, black for wives, and red for grace year girls. Grace year girls are sent to an isolated camp as a group when they turn sixteen, after boys and men their age and older have an opportunity to choose one to marry from among them. Some girls are “veiled” and the rest know they will be assigned to manual labor tasks. The younger sisters of the girls who don’t return run the risk of being sent to the outskirts, where they will struggle to survive and are expected eventually to sexually service men no longer satisfied with their wives.

Protagonist Tierney is about to begin her grace year. She does not aspire to be veiled, but would rather labor outside when her grace year is done, as wives’ movements and speech are very restricted and she has always enjoyed spending time outdoors, learning useful skills from her father and spending her time alone and with her friend Michael, whose family is very high status. Rather than choosing Kiersten, the girl his family has picked out for him, though, Michael chooses Tierney to keep her safe, not realizing that he has actually made her a target during the grace year.

The supposed purpose of the grace year is for girls to come into their magic and work it out of themselves without risking the men, so the girls are “safe” to be around, but girls know that things too terrible to talk about must happen, because of each group of girls that leaves, fewer come back, and the ones who do are traumatized and refuse to speak about it. In addition to their isolation, the girls must stay within a fence, because they are being hunted by “poachers” who will skin them alive, dissect them, bottle the parts, and sell them back to the men in town as aphrodisiacs. There is the obligatory section of a YA speculative survival novel where a character whose job it is to exterminate a girl actually saves her and heals her and they fall in love, but it is particularly gruesome because there is no hiding the fact that he’s there to skin, dissect, and bottle her for consumption– he even has diagrams. The body horror is strong in this book, although most of the actual damage is done offscreen.

It is difficult to write about the characters and society in this book, both women and men, because from best to worst every one of them is so poisoned by patriarchy. The gaslighting of women and girls is so extensive and ingrained that it can’t really be separated out. Would Kiersten be so cruel if she hadn’t been trapped by society’s constraints since she was a child? Would so many of the girls have been so eager to believe in their magic if they hadn’t been powerless their entire lives? Even “good” men like Michael, with the best of intentions, can’t undo the damage. In 800+ pages (Amazon says there are 416, my Kindle says 815) there was not a single character in this book whose decisions could be trusted, including Tierney’s. The ending was absolutely crushing to me. I have to hope that YA readers who get all the way through to the end will develop a strong desire to examine their decisions and choices in light of the damage patriarchy does to all of them in the present, rather than waiting for the next generation. Whether they do or not, given the number of comparisons to The Hunger Games, I am sure many will find it a compelling read. Recommended.

 

 

Book Review: The Hollow Places by T. Kingfisher

A note from the editor:

We are midway through November and Monster Librarian still needs to raise the funds to pay for our hosting fees and postage in 2021. If you like what we’re doing, please take a moment to click on that red “Contribute” button in the sidebar to the right, to help us keep going!  Even five dollars will get us closer to the $45 we still need to keep going at the most basic level. We have never accepted paid advertising so you can be guaranteed that our reviews are objective. We’ve been reviewing and supporting the horror community for 15 years now, help us make it another year! Thank you! And now our review of The Hollow Places: A Novel by T. Kingfisher.

 

cover art for The Hollow Places by T. Kingfirsher

The Hollow Places: A Novel by T. Kingfisher (  Bookshop.org | Amazon.com )

Gallery/Saga Press, 2020

ISBN-13 : 978-1534451124

Available: Paperback, Kindle edition, audio CD

T. Kingfisher is the pen name for Ursula Vernon, author of a webcomic and also the middle-grade Danny Dragonbreath books. In The Hollow Places, the author shows she can successfully and satisfyingly navigate from one genre and audience to another.

Recently divorced, Kara has moved into her uncle Earl’s combination museum/curiosity shop/living space and is cataloging his jumbled collection of objects and taxidermy while she figures out what to do with her life. While she’s there, a box of oddities arrives at the museum with a carving labeled “corpse otter” inside. When Earl hurts his knees badly enough that he’ll need major surgery, Kara takes over running the museum in his absence, and a few days later finds a mysterious hole in the drywall in the otter room, which showcases a giant taxidermied Amazonian otter and also displays the corpse otter carving.

Kara asks Simon, the quirky (and very gay) barista at the coffee shop next door, if he can help her patch the drywall. When Kara and Simon look through the hole, they see that it opens into a hallway that shouldn’t exist and decide to explore the hallway to see where it goes… that is, once they’ve packed flashlights, string, a tape measure, and a thermos of coffee. Both of them have seen enough horror movies to know not to split up, but not, apparently to leave locked doors alone, because they open the door at the end of the hallway to somewhere very like the Wood Between the Worlds in the Narnia books, except that instead of a wood filled with pools, it is a water world of islands swamped by willow bushes, each with a door to another world.

I had not read it before I read The Hollow Places, but at the end of the story, T. Kingfisher credits Algernon Blackwood’s The Willows as an inspiration for this book. As much as I could see the influence of C.S. Lewis, it is very clear that The Hollow Places, in setting and atmosphere, owes a great deal to Blackwood’s story. Kingfisher has taken elements from both authors and created something wholly original. Kara and Simon are both well-developed characters. It’s enjoyable to see them interact: they are sometimes snarky, often supportive, and protective of each other. They are funny and resourceful,  and make a great team. The setting is almost a character itself: both the museum and the willow world with its many doors seem to have lives of their own. Without giving away the entire plot, I’ll just say you will never look at taxidermy the same way again.

The sense of creeping dread and the feeling that we are, as Kara puts it, just a pixel away from a hostile, alien dimension, is even more disturbing and compelling in Kingfisher’s book than it is in Blackwood’s story. While the plot doesn’t move along speedily, it has some great action sequences, especially near the end.  Certainly it is worthy of consideration for a Stoker. Highly recommended.