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Final Cuts: New Tales of Hollywood Horror and Other Spectacles edited by Ellen Datlow

Final Cuts anthology cover art edited by Ellen Datlow ( Bookshop.org)

 Final Cuts: New Tales of Hollywood Horror and Other Spectacles edited by Ellen Datlow

Blumhouse Books, 2020

ISBN: 9780525565758

Available: paperback, audiobook, Kindle

 

Final Cuts is a themed collection of horror short stories. In this case, the common thread is the relationship to cinema, and occasionally reality TV.  The stories have original ideas, professionally written, but with ambiguous endings that might not be appealing to readers who prefer closure in a story. The writing quality is strong enough to make it work with these types of stories, though.

These are horror stories, but they are the more cerebral type.  There’s very little hack and slash, the stories usually involve extremely weird things happening to the characters and how they perceive  reality.  Of course, there are exceptions to this, “Snuff in Six Scenes” being a good and very entertaining example.  One can tell that most of these stories were written by skilled veterans of the craft, as the prose flows perfectly, and there is rarely a wasted word.  It strikes a good balance between action and inner thoughts, tending towards the latter.

One potential pitfall to themed anthologies is they can limit the creativity, since a common theme must be followed.  That doesn’t happen here, due to the excellent story ideas.  Some examples of what the reader will encounter:

  1. A bunch of little tiny mouths that run around eating people.
  2. The filming of an occult ceremony where acting becomes reality for nefarious purposes.
  3. A hearing aid used to listen to a theatre movie broadcasts verbiage very different from the film, and it relates to a murder.
  4. A select screening of a rare film causes some people to want to get killed.

The stories that are somewhat standard ghostly tales have some new settings that add to the flavor.  For example, one features an online reality show, where an unexplained apparition sometimes appears.  The real fun is the reality show itself, which stars two drunk college girls talking about science, hence the story title, “Drunk Physics.”  Some of the writing formats are unusual as well.  “Cut Frame” is written in interview transcript format, complete with its own invented Wikipedia entries.   “Altered Beast, Altered Me” is written mainly in email form.

Final Cuts features excellent writing and is creatively very strong. While most readers will enjoy this, it might not work for readers who like all story threads to be resolved by the end.  Many stories are open ended, and a few have endings that don’t seem to relate that much to the main story thread. Overall, though, it scores high in the most important areas, originality and quality of writing.

Contains:  violence, profanity

 

Reviewed by Murray Samuelson

 

Book List: A Year of Witchy Reads

My library informed me that this year was the Return of the YA Vampire, and indeed we did see a number of YA vampire novels this year, not least of which was Stephenie Meyer’s latest addition to the Twilight saga, Midnight Sun. 

For myself, I discovered I had read a number of very good books focused on witches and witchcraft.

 

A Deadly Education by Naomi Novik was an interesting YA title that followed a teenage witch at a boarding school for witches, who is aggressively beleagured by her powerful talent in black magic that she is trying to avoid using. The school is regularly invaded by monsters who feed on the students and their magic and also surround the school, making survival until graduation and escape afterwards a deadly challenge. This is significantly different from Novik’s previous endeavors in alternate history and fantasy, and presents a unique twist on the “boarding school” genre.

 

 

 

   Gideon the Ninth by Tamsyn Muir is a strange combination of space opera, necromancy, and political maneuvering. In this book, there are nine Houses, each responsible for a different variety of magic. The Ninth House specializes in necromancy. When a competition for a high position working with the Emperor  arises, each House is required to send a magic user with a bodyguard. Gideon, much against her will, reluctantly agrees to accompany Harrow, the powerful and very unpleasant necromancer who heads the Ninth House.  I can’t even try to explain the puzzles, magic, politics, personalities, and relationship dynamics in this book except to say that Gideon and Harrow are a compelling pair, regardless of whether you love, hate, or are exasperated by either or both of them. The sequel, Harrow the Ninth, came out recently as well, and is also mindbending and disturbing.

 

Cemetery Boys  by Aiden Thomas is another  #OwnVoices YA novel that has gotten a lot of press, and a lot of praise. Our main character, a Latinx trans boy, proves he deserves to be accepted in the coming-of-age ceremony for brujos, who can see, control, and banish ghosts.  While not as thoroughly horrific as a genre reader might expect, the conclusion makes up for it, and this is an outstanding book with great representation.

 

 

 The Mercies by Kiran Millwood Hargrave is a terrifying work of historical fiction strongly grounded in fact, about a fishing village of women in an isolated, freezing location are left to manage everything on their own when the men are all swept away during a storm while they are on the water. Once the government steps in, the idea that women could be competent enough to take care of themselves suggests that at least some of them must be witches. I wrote a more extensive review of this book earlier this year and I really suggest that you read it, and then read the book.

 

Conjure Women by Afia Atakora is an #OwnVoices work of historical fiction with threads of horror and the supernatural throughout. It alternates between “slaverytime” and “freedomtime”. The “slaverytime” storyline takes place on an unnamed plantation in the South and follows Miss May Belle, the conjure woman responsible for healing, midwifery, and sometimes, casting curses and spells. The “freedomtime” storyline is told from the point of view of Rue, Miss May Belle’s daughter, who has taken over her responsibilities as conjure woman. The former enslaved people from a burned down plantation have built a hidden village nearby. While they respect Rue at first, after she delivers a baby with a caul over its head and an illness she can’t cure causes children to sicken and die, they turn against her. There’s no way to avoid horror when evoking slavery, and Atakora based a lot of her story on oral accounts and slave narratives. While the pacing was relatively slow and not everyone will appreciate the shifting points of view, I found this a compelling story.

 

The Graces by Laure Eve is a YA novel about a girl who believes she has magic and is looking for others like her. She finds them in the Grace siblings, beautiful and charismatic, who may or may not have magic. The narrator, identifying herself as River, is an unreliable reporter of events, making it a challenge to tell what is actually happening.

 

Cinderella is Dead by Kalynn Bayron is an #OwnVoices YA novel that explores what might happen after the happily ever after of the Cinderella story. If you’ve read any book about a repressive, patriarchal society, from The Handmaid’s Tale to The Grace Year, you’ll be able to guess that the answer is “nothing good”.  200 years after Cinderella married her true love, all teenage girls must know the government-approved version of the story by heart, and be ready to be chosen by an eligble man as his wife. Sophia would rather marry her friend Erin than any man, but she’ll have to take down the patriarchy to do it. I’d spoil the story if I revealed the part the witch takes in this story.

 

 Year of the Witching by Alexis Henderson is a dark tale of witchcraft, wildness, and the dangers of a patriarchal theocracy. Immanuelle is the child of a forbidden affair that led to her parents’ death and her grandparents’ ostracism, and she has been told never to enter the woods because dangerous witches live there and would seduce her into witchcraft. Entering the woods despite the warnings, she discovers her mother’s diary, which contains both evidence of her love for Immanuelle’s father and of a descent into madness. When inexplicable plagues begin to destroy her community, the head of the Church, known as the Prophet, decides they must be due to witchcraft and starts culling possible witches from the women, including Immanuelle. While the plagues send illness, darkness, and blood, the Prophet, his co-leaders, and his most devout followers are also sources of dark and terrible things.

 

 

 Undead Girl Gang by Lily Anderson was a surprise to me! Despite appearing on a list of YA vampire titles (there are no vampires) and a title suggesting a zombie romp, this book actually centers on a fat, Mexican, teenage witch, Mila, who is grieving the sudden death (and probably murder) of her best and only friend, Riley, following the sudden deaths (and probably murders) of Dayton and June, popular mean girls at school, all of which have been chalked up to suicide.  Mila discovers a grimoire with a dark spell that will allow her to bring Riley back from the dead for seven days to help prove and solve her murder, but when she casts it, she accidentally also brings back Dayton and June– and now they’re all connected okay, so maybe it is a little of a zombie romp, but the plot centers on Mila and her witchery). The reunion with Riley isn’t exactly what Mila expects it to be, and both Dayton and June turn out to be a little more three-dimensional than they seemed while they were alive and tormenting Mila. The mystery is pretty predictable– it’s the girls, and especially Mila, who make it fun. Anderson sensitively deals with grief, death, and friendship, with touches of humor.

 

The Once and Future Witches by Alix Harrow was also published this year,  but I haven’t yet had an opportunity to read it. But there are great books of all kinds on witches, for teens and adults, for lovers for horror, fantasy, space opera, dystopia, and historical fiction… If you are looking for a little witchcraft to spice up your holiday season, you might want to check one of these out.

 

Book Review: Hexis by Charlene Elsby

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Cover art for Hexis by Charlene Elsby

Hexis by Charlene Elsby  (Bookshop.org)

CLASHbooks, February 2020

ISBN: 9781944866525

Available: Paperback, Kindle

 

Hexis, the slickly crafted debut novella from Charlene Elsby, is entertaining, while using almost none of the conventions of typical horror writing.  Linear stories, easy to follow happenings…they don’t exist here.  Instead, you get a down-the-rabbit-hole journey into the inner mind and musings of a seriously disturbed lady.  This is what might have happened if Aristotle and Timothy Leary had decided to pool their intellectual resources to create their own version of serial killer Aileen Wuornos.  Sound insane?  So is the book.

 

Hexis is written in an extremely vague, open-ended fashion, so much so that even describing the book is difficult, a lot of it will depend on how the reader interprets it.  It seems to be about a lady who is never even named, so for this review, she’ll be called ‘X.’  X had a crummy relationship with a man at some point in her younger years, so she killed him.  From time to time as her life progresses, the man shows back up in her life, so she kills him, again…and again…and again.  The End.

 

If only it were that simple.  Due to the vague way this is written, even determining what actually happens will depend on personal perception.  Is he somehow brought back to life each time, forcing her to kill him again?  Is she simply killing people who look like him, and her deranged mind fills in the blanks to make it seem like the same person?  Does the whole thing take place completely in her mind, and none of it really happened?  No explanation is ever given, and that’s the enjoyable part about the book; the story allows the reader to decide what actually happened.  The whole book is an introspective study of X: what she feels, her anti-social tendencies, how she perceives her reality, or lack of it.  The story does not move in a linear fashion; it’s more akin to jumping in and out of the river of time at different points, for a brief moment.  Some of those moments are loaded with graphic sex and violent, gory killings, and that’s about the only nod to conventional horror writing.  This is written to appeal to a certain type of horror fan: the ones who like a lot of psychology and musings, and aren’t as interested in fast-paced plots that zip from Point A to Point B.  It’s a very well written piece of work, it just works best for a certain type of reader.  The book works best if you read a chapter or two at a time.  Take a break, think about what you just read, what it means to you, and what you think happened.  Then, read another chapter or two, and prepare to have your cerebrum twisted yet again.  Trying to burn through this book cover to cover in a sitting or two won’t work, you really need to take the time to think about it and enjoy it.  Otherwise, you’re missing the point.  This is meant for you to ponder over, not have everything explained and handed to you.  That’s why it’s so much fun, you can almost mold the story to your own liking.  It’s an unusual way to write, and makes for an “out there” reading experience.

 

Also worth noting is the author’s ability to write long passages that at times, don’t really mean anything at all… but they sound really good.  It’s not just rambling for the sake of wasting pages, it’s done to sound incredible, without really saying much at all.  It’s as if the words are no longer words, they are musical notes that form a melody, and it’s a quite a melody.  You may find some meaning, or it may mean nothing at all, but the melody sounds beautiful.  It’s not something you find often in horror writing; I really can’t think of any other examples to compare it to.  Well done, and truly original.

 

Bottom line: if you are looking for something that is truly unique and different from a standard horror novel, and you want a mind-breaker of titanic proportions, this is the way to go.  If you prefer straight-ahead stories where all is explained, look elsewhere.  It will be interesting to see where author Elsby goes next; she’s got an original and enjoyable style.  Highly recommended, for the reader type mentioned.

 

Contains:  graphic violence, profanity, graphic sex

 

Reviewed by Murray Samuelson